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Totem poles and houses at ʼKsan, near Hazelton, British Columbia.. Totem poles serve as important illustrations of family lineage and the cultural heritage of the Indigenous peoples in the islands and coastal areas of North America's Pacific Northwest, especially British Columbia, Canada, and coastal areas of Washington and southeastern Alaska in the United States.
Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
In Algonquian images, an X-shaped thunderbird is often used to depict the thunderbird with its wings alongside its body and the head facing forwards instead of in profile. [5] The depiction may be stylized and simplified. A headless X-shaped thunderbird was found on an Ojibwe midewiwin disc dating to 1250–1400 CE. [11]
The Tlingit carve crests on totem poles made of cedar trees. The totem poles carved normally tell a story, and Tlingit artists carve subjects like animals into the totem poles. These pictures are aligned in a column down the pole, in order from top to bottom. The poles are put on outside corners of "traditional dwellings", used to structurally ...
Poles are placed outside family houses where they display the family's crests, history, wealth, social rank, inheritance, and privilege. [22] The sequence of characters and symbols sculpted into a totem pole is indicative of past family events, ancestors, myths, and heraldic crests, with the bottom figure usually being the most prominent. [23]
The oldest decorated wooden object ever found in Britain has been discovered near Stonehenge
The Pole of Sag̱aw̓een was carved by Oyee to commemorate Chief Sag̱aw̓een from the Eagle tribe (Gitlaxluuks clan). At 81 feet (25 m) tall, this pole is the tallest pole carved on the Nass River. It stood in the village of Gitiks alongside two other Eagle poles: first, the Eagle's Nest Pole, and later in 1885, joined by the Halibut Pole of Laay.
Hanson chose the Gʼpsgolox totem pole and cut it at the base. Hanson took the pole while the Haisla were away due to seasonal living patterns, leaving the Haisla confused and wondering what had happened to the pole. The Norwegian emigrant named Iver Fougner (1870—1947) who chopped down the pole was employed as an Indian agent. He was a ...