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In the music video, David Byrne dances erratically over footage of religious rituals, dressed in a suit, bowtie and glasses. In the "Once in a Lifetime" music video, Byrne appears in a large, empty white room, dressed in a suit, bowtie and glasses. In the background, inserted via bluescreen, footage of religious rituals or multiple Byrnes ...
Once in a Lifetime (also known as Danielle Steel's Once in a Lifetime) is a 1994 American made-for-television romantic drama film directed by Michael Miller. The film is based on the 1982 novel of the same name written by Danielle Steel.
"Once in a Lifetime" (Talking Heads song), from their 1980 album Remain in Light "Once in a Lifetime", from the 1991 Gregorian album Sadisfaction "To nie ja!", a 1994 song by Edyta Górniak, released in English as "Once in a Lifetime"
Once in a Lifetime is a three-CD box set by American post-punk/new wave band Talking Heads, released in the United States by Sire, Warner Bros, and Rhino in 2003. The set also includes a DVD containing an expanded version of the music video compilation Storytelling Giant .
Once in a Lifetime is a 1932 American pre-Code comedy film based on Once in a Lifetime by George S. Kaufman and Moss Hart. [1] The film was produced and distributed by Universal Pictures, directed by Russell Mack and stars Jack Oakie, Sidney Fox and Aline MacMahon. [2] It is preserved at the Library of Congress. [3]
"Once in a Lifetime" is a song co-written and recorded by Australian country music artist Keith Urban. It was released in August 2006 as the first single from his 2006 album Love, Pain & the Whole Crazy Thing. Urban wrote this song with John Shanks.
Once is already being hailed as one of the best 'music films' ever made, but that sells it short. It’s also one of the best love stories ever written for the screen, made better by the emotional resonance of the songwriting. If this film doesn’t satisfy you with its message or its music, take heart from the real life tale of the two leads ...
Much to Mona's delight, the song qualifies for the finals. Mona's new-found fame takes her to unexpected places, including a TV interview, and an invitation to lunch at Berns. Throughout, the film, though, Mona is torn as to whether she should reveal that she was not in fact the only writer of her song, and thus risk losing the public's support.