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A number of concertos and concertante works have been written for cor anglais (English horn) and string, wind, chamber, or full orchestra.. English horn concertos appeared about a century later than oboe solo pieces, mostly because until halfway through the 18th century different instruments (the taille de hautbois, vox humana and the oboe da caccia) had the role of the tenor or alto ...
A number of concertos (as well as non-concerto works) have been written for the oboe, both as a solo instrument as well as in conjunction with other solo instrument(s), and accompanied by string orchestra, chamber orchestra, full orchestra, concert band, or similar large ensemble. These include concertos by the following composers:
Tenor Saxophone Concerto (2015) Bass Clarinet Concerto (2018) Concerto for Recorder and Chamber Orchestra (the one-movement concerto contains sections for bass recorders – C and F –, one passage for alto recorder, and one section for sopranino recorder) (2020) Alto Flute Concerto (the 4th movement out of 6 is scored for Bass flute) (2021)
(Soprano and alto duet with solo oboe and orchestra) Kind Health descends on downy wings Angels conduct her on the way. T'our glorious Queen new life she brings And swells our joys upon this day. (Alto and soprano, then chorus with orchestra) The day that gave great Anna birth Who fix'd a lasting peace on earth. (Bass solo, then chorus with ...
His many recordings with the English Concert (Deutsche Grammophon/Archiv) include Bach's oboe d'amore concerto, as well as the double concerto for oboe and violin, all the Brandenburg concerti, the Handel oboe concerti, the Handel Concerti grossi Opus 3, Vivaldi's Oboe concerto in A minor, plus the G major double concerto for oboe and bassoon ...
Oboe Concerto No. 3 (Handel) Oboe Concerto (Harbison) Oboe Concerto (attributed to Haydn) Oboe Concerto (Higdon) I. Island Prelude; K. Oboe concerto No. 1 (Krommer) L.
The Oboe Concerto No. 3 in G minor (HWV 287) was composed by George Frideric Handel for oboe, orchestra and basso continuo, possibly in 1704-1705, [1] when he was still in Hamburg. It was first published in Leipzig in 1863 (from unknown sources) in which it was described as a work from 1703.
The work is scored for three vocal soloists (alto, tenor, and bass), four-part choir, oboe, two violins, viola, and basso continuo. [4] It has six movements: Sinfonia; Chorale (soprano) and aria (tenor): Ich steh mit einem Fuß im Grabe; Recitative (bass): Mein Angst und Not; Aria (alto): Herr, was du willt, soll mir gefallen
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