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Their underlying concepts "art", "freedom" and "expression" comprise very vast fields of discussion: "Art is a very 'subtle'—sometimes also symbolic—form of expression, suffering from definition problems more than any other form." [5] As a result, "[i]t is almost impossible to give a satisfying definition of the concept art. It is even more ...
Wearing or displaying other signs and symbols of national or political expression or solidarity (e.g. a watermelon pin, a Keffiyeh, etc.) is not forbidden and is fully covered by freedom of ...
Expression and Expressivity. Expression (Lat. expressio) in architecture implies a clear and authentic displaying of the character or personality of an individual ().The expression is often identified with the architectural movement of Expressionism, whose main starting point and aim is to present and express what has been "seen" or experienced in the inner eye of the mind, heart and soul, i.e ...
In contrast, a 'conception' is an individual attempt to grasp at the putative essence behind this common term while nobody has "access" to the concept. A theory of art presumes that each of us employs different conceptions of this unattainable art concept and as a result we must resort to worldly human investigation.
The arts or creative arts are a vast range of human practices of creative expression, storytelling, and cultural participation. The arts encompass diverse and plural modes of thinking, doing, and being in an extensive range of media. Both dynamic and a characteristically constant feature of human life have developed into stylized and intricate ...
An art manifesto is a public declaration of the intentions, motives, or views of an artist or artistic movement. Manifestos are a standard feature of the various movements in the modernist avant-garde and are still written today. Art manifestos are sometimes in their rhetoric intended for shock value, to achieve a revolutionary effect.
Victor Margolin, The Politics of the Artificial: Essays on Design and Design Studies, 2002; Yana Milev, D.A.: A Transdisciplinary Handbook of Design Anthropology, 2013; Michael Schulze, concept and concept of the work. The sculptural design in architectural education, Zurich vdf, Hochschulverlag AG at the ETH Zurich, 2013, ISBN 978-3-7281-3481-3
The ancient Greek concept of art (in Greek, "techne " —the root of "technique" and "technology"), with the exception of poetry, involved not freedom of action but subjection to rules. In Rome, the Greek concept was partly shaken, and visual artists were viewed as sharing, with poets, imagination and inspiration.