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Bar chimes by Meinl. A mark tree (also known as a nail tree, chime tree, or bar chimes) is a percussion instrument used primarily for musical color. [1] It consists of many small chimes—typically cylinders of solid aluminum or brass tubing about 3/8" in diameter—of varying lengths, hung from a bar.
In music, a glissando (Italian: [ɡlisˈsando]; plural: glissandi, abbreviated gliss.) is a glide from one pitch to another (Play ⓘ). It is an Italianized musical term derived from the French glisser, "to glide". In some contexts, it is equivalent to portamento, which is a continuous, seamless glide between notes. In other contexts, it refers ...
Valerio Dorico (Brescia, sixteenth century - Rome, late sixteenth century) was an Italian typographer. [1] Over a period of sixteen years (1539–1555) he printed numerous editions, pioneering the use of a single impression printing process first developed in England and France.
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The program's title Dorico was revealed on the same blog on 17 May 2016. The name honours the 16th-century Italian music engraver Valerio Dorico (1500 – c. 1565), who printed first editions of sacred music by Giovanni Pierluigi da Palestrina and Giovanni Animuccia and pioneered the use of a single impression printing process first developed ...
In the first example, Rodolfo's first aria in La sonnambula (1831), the portamento is indicated by the slur between the third and fourth notes. The second example, Judit's first line in Bluebeard's Castle (1912) by composer Béla Bartók, employs an inclining, wavy line between the fourth and fifth notes to indicate a continuous, steady rise in pitch.
A bell tree, also known as tree bells [1] or Chinese bell tree [2] (often confused with the mark tree), is a percussion instrument, consisting of vertically nested inverted metal bowls. The bowls, placed on a vertical rod, are arranged roughly in order of pitch. The number of bowls can vary between approximately 14 and 28.
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
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