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Cairo Contemporary Dance Center was founded in 2012 by Karima Mansour, under the patronage of the Egyptian Ministry of Culture, at the Creativity Center on the ground of Cairo Opera House. [2] [3] [4] It moved to its current location in January 2014, and currently operates as an independent project under the umbrella of MAAT for Contemporary ...
Aparna has served as Arts Consultant for the Impulse – season of UK Contemporary Dance by The British Council India in 2012-13. [11] As an organising member, she helped curate the outreach programmes and itineraries of visiting companies from the UK such as Akram Khan Company, Hofesh Schecter Company, Protein Dance Theatre and Scottish Dance ...
In 2007 Youth America Grand Prix became the first organization in the 50-year history of Italy's prestigious Spoleto Dance Festival to present performances by dance students. In 2009, YAGP broke the existing Guinness World Record for “Most ballet dancers en pointe” with 221 dancers from 27 countries.
Abby Lee Dance Company: contemporary Los Angeles: United States: Founder & Director Abby Lee Miller: 1980–present Aglaja: contemporary dance Bruges: Belgium: Founder Jan Dewulf late 1960s–present Agnes de Mille Dance Theatre: ballet and Broadway-style dance theatre Winston-Salem, North Carolina: United States: Founder Agnes de Mille: 1953 ...
Martha Graham Center of Contemporary Dance; Moon Water (dance) MozartNu (1986–2008) Mudra Afrique; N. New York Live Arts; Nine Songs (contemporary dance) Non-dance; O.
She also became a member of the contemporary dance company Collide under the direction of Erica Sobol in 2007 and joined Fanny Pak in 2008. Cara is a faculty member for Boogiezone and Broadway Dance Center. Her dance credits include Missy Elliott, Lil Mama, MTV Video Music Awards, High School Musical 3, Canon Electronics, and LA Fashion Week. [11]
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A dancer performing a contemporary dance piece Indian Contemporary Dancer at 2018 Folklorama Festival, Winnipeg. Contemporary dance [1] is a genre of dance performance that developed during the mid-twentieth century and has since grown to become one of the dominant genres for formally trained dancers throughout the world, with particularly strong popularity in the U.S. and Europe.