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Official logo. This is a list of films shot partially or in full with IMAX cameras, either on 15/70 film, with the Phantom 65 IMAX 3D, with the ARRI Alexa IMAX, with other IMAX-certified digital cameras or IMAX Live Events shot with IMAX-certified cameras.
Warner Bros. has published a YouTube playlist with the free movies, available at this link. The titles are varied and cut across genres, with some films on the list dating back decades.
Phantom HD Camera used for high-speed photography 2010 Blue Valentine: Andrij Parekh: Red One M: Cooke S4: Present-day scenes shot on Red, flashback scenes shot on 16mm 2010 Red State: David Klein Red One MX, Canon EOS 7D: Canon 7D used only for 'running with camera' shots 2010 Winter's Bone: Michael McDonough Red One M: Zeiss Master Prime ...
Independent movie-makers have also pressed low-cost consumer and hybrid prosumer cameras into service for digital cinematography. Though image quality is typically much lower than what can be produced with professional digital cinematography cameras, the technology has steadily improved, most significantly in the last several years with the arrival of high-definition cameras in this market.
Typically, digital movies are shot using digital movie cameras or in animation transferred from a file and are edited using a non-linear editing system (NLE). The NLE is often a video editing application installed in one or more computers that may be networked to access the original footage from a remote server, share or gain access to ...
Originally released in 2D in 2004, converted to 3D during post-production for re-release. [3] Shrek the Third: December 1, 2010 United States: Rendered in 2D 1.85:1 92 Originally released in 2D in 2007, converted to 3D during post-production for re-release. [3] The Chronicles of Narnia: The Voyage of the Dawn Treader: December 10, 2010 United ...
New DVD releases never take a breather, and even the shortest month of the year will have plenty of popular or critically acclaimed movies that screened in theaters last year hit the retail market.
This marked the first time a digital cinema camera was tested alongside leading stills cameras. [16] For economical reasons Scarlet-W and Dragon-X cameras have the same 6K Dragon sensor used in the original DSMC generation, [17] but only 5K image area of it is utilized in Scarlet-W. [18] Red Raven has a "hard" 4.5K sensor. [17]