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In June 1999, George Lucas announced that Episode II of the Star Wars Prequel Trilogy would be the first major motion picture to be shot 100% digitally. Sony and Panavision had teamed up to develop the High Definition 24p camera that Lucas would use to accomplish this, and thus the first CineAlta camera was born: the Sony HDW-F900 (also called the Panavision HD-900F after being "panavised").
Redcine-X Pro is a free-of-charge post-processing software collection developed by Red, built specifically for Red camera systems. It includes a coloring toolset, integrated timeline, and post effects software collection for both stills and motion. The post-production software allows for non-destructive manipulation of raw .R3D files. [21]
DigitalCinemaNow article about "HD 2K 4K Digital hi-end cameras" HD Magazine "All about HD in all its guises - capture to distribution" Official Panavision Media Center & Reference Library; Light Illusion Various Tech Papers about Digital Cinematography and Digital Film; Official Sony Professional Website
New consumer digital cameras with CCD sensors stopped being released in the early 2010s, and the few that offered USB charging only supported it via a non-standard cable. [42] Proprietary cables , chargers, and batteries can be difficult to come by, especially when discontinued, which makes support for standard AA or AAA batteries (especially ...
Release date Prod. country Camera system Aspect ratio Runtime min Notes Aliens of the Deep: January 28, 2005 United States: Reality Camera System: 1.78:1 47 Was printed on 35 mm for Reality Camera System presentations, and on 70 mm as an IMAX blow-up for dual strip presentations. Wild Safari 3D: April 8, 2005 Belgium: Dual 35 mm: 1.43:1 40
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Microsoft as of 2019 supplies the free Raw Image Extension for Windows 10 and later versions of Microsoft Windows, to integrate raw file viewing and printing into some Microsoft Windows tools. [50] The Extension allows native viewing of raw files from many mid- to high-end digital cameras in Windows Explorer / File Explorer and Microsoft Photos.
In 3D. Filmed with Phantom 65 IMAX 3D Digital cameras. Some shots filmed in 35mm and converted to 3D. First mainstream feature to be partially shot with digital IMAX 3D cameras with 95 minutes of IMAX 3D footage. Aspect ratio alternates between 2.39:1, 2.00:1, and 1.90:1. The longest IMAX 3D movie ever filmed. [243] [244] Hercules: 25 July 2014 **