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MOS is a standard filmmaking jargon acronym used in production reports to indicate an associated film segment has no synchronous audio track.. Omitting sound recording from a particular shot can save time and relieve the film crew of certain requirements, such as remaining silent during a take, and thus MOS takes are common on contemporary film shoots, mostly when the subjects of the take are ...
In modern usage the term more commonly indicates simply that a film is of a substantial length or running time, as distinguished from short films, though what is considered "feature length" can vary and has changed over time. feature length The minimum running time necessary to be considered a full-length or feature film, as opposed to a short ...
Philippine New Wave (known as Filipino New Wave or Contemporary Philippine Cinema) is a filmmaking term that has been popularly associated with the resurgence of independent, digital and experimental films in the Philippines began in the 21st century, and merged into a recent filmmaking period known as the Third Golden Age of Philippine cinema.
The Movie and Television Review and Classification Board (Filipino: Lupon sa Rebyu at Klasipikasyon ng Pelikula at Telebisyon; [1] abbreviated as MTRCB) is a Filipino government agency under the Office of the President of the Philippines that is responsible for the classification and review of television programs, motion pictures and home videos.
In film articles and film award articles this is hardly ever the case. 2. Do not emphasize nationality without good reason. In film award articles the use of flag icons is not appropriate unless nationality is a main topic, like in the List of countries by number of Academy Awards for Best International Feature Film. Note that in international ...
There may be examples where the lower-limit cannot be fulfilled—such as in the case of films that have not been released, or lost films—but those easily fall into the class of exceptions to the guidelines. A typical feature length film should ideally have a meaningful plot summary, which will require a lower-limit of some nature.
The Filipino film industry was one of the busiest and bustling film communities in Asia, releasing an average of 350 films a year making Philippines second to Japan in terms of film productions a year. The premier directors of the era were (but not limited to): Lamberto Avellana (1915–1991) Gerardo de León (1913–1981)
The Philippines has submitted films for the Academy Award for Best International Feature Film [nb 1] since the inception of the category in 1956, when it became the first independent nation in Southeast Asia to join the competition.