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The metadata below describe the original scanning. Follow the "All Files: HTTP" link in the "View the book" box to the left to find XML files that contain more metadata about the original images and the derived formats (OCR results, PDF etc.).
The SHSI maintains a museum, library, archives, and research center in Des Moines and a research library in Iowa City, as well as several historic sites in Iowa. It was founded in 1857 in Iowa City, where it was first affiliated with the University of Iowa.
The Society for the History of Authorship, Reading and Publishing (SHARP) formed in 1991 in the United States on the initiative of scholars Jonathan Rose, Simon Eliot, and others. [ 1 ] [ 2 ] A major conference was held was at the Center for the Book at the Library of Congress , July 14-16, 1994, where Center Director, John Y. Cole served as ...
The Daily Iowan is an independent, 6,500-circulation student newspaper serving Iowa City and the University of Iowa community. During the 2020–2021 academic year The Daily Iowan transitioned from printing daily to producing a print edition of the paper twice a week and publishing stories online daily.
Advantage Archives LLC is a digital archiving service based in Cedar Rapids, Iowa, United States. Established in 2018, [ 1 ] it digitizes microform , newspapers, books and documents. [ 2 ] The results are stored in a community history archive, which is freely accessible.
Typographical antiquities, or, The history of printing in England, Scotland, and Ireland. London : Printed for John Murray, Albemarle-Street, by W. Bulmer and Co. Amory, Hugh (2007). A History of the Book in America. American Antiquarian Society. ISBN 978-0-8078-34046. Andrews, William Loring (1895). The old booksellers of New York, and other ...
The book and its sexual images have been front and center in debates about what's appropriate in schools. Parents and community members filed 100 challenges to books in Iowa schools between August ...
1972 – The Brandywine Workshop and Archives in Philadelphia was founded by Allan L. Edmunds as a collective of artists and teachers to promote printmaking in an experimental and collaborative environment that welcomed professional printers and artists; it aimed to bring vitality to printmaking as a form of contemporary art.