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"In My Life" is a song by the English rock band the Beatles, released on their 1965 studio album, Rubber Soul. Credited to the Lennon–McCartney songwriting partnership, the song is one of only a few in which there is dispute over the primary author; John Lennon wrote the lyrics, but he and Paul McCartney later disagreed over who wrote the melody. [3]
Womack says that the baroque aspect of this contribution furthers the song's nostalgic qualities, [178] a point also made by Gould, who adds that, by revisiting the past and presenting emotional themes that are resolved in the narrative, "In My Life" serves as the album's only song that "sounds the Beatles' original ground theme of happiness-in ...
A final reunion song, "Now and Then", was released in 2023. [42] The Beatles remain one of the most acclaimed and influential artists in popular music history. [1] [43] Their songs have been covered thousands of times by a wide range of artists and continue to be celebrated throughout the world. [15]
Mellers points out that the song's mood of isolation is intensified by the "bare, open fifths" played by the piano and by the silences incorporated into the sad melody. [4] He also notes that the pain communicated by the song is enhanced by the dissonances in the music, particularly the use of semitone intervals. [4]
The Beatles' decision not to issue "Ob-La-Di, Ob-La-Da" as a single in the UK or the US led to many acts rushing to record the song, in the hope of achieving a hit in those countries. [4] A recording by the Scottish pop band Marmalade , released in November 1968, became the most commercially successful of all the cover versions of songs from ...
"Doctor Robert" is a song by the English rock band the Beatles. It was released in 1966 on their album Revolver, apart from in North America, where it instead appeared on their Yesterday and Today album. The song was written by John Lennon (and credited to Lennon–McCartney), [3] [4] although Paul McCartney has said that he co-wrote it. [5]
The song originated when, in response to a question from Beatles aide Alistair Taylor about songwriting, McCartney sat down at a harmonium and asked Taylor to say the opposite of whatever he said. The completed song includes a musical coda , which was improvised by the Beatles when they were recording the track in October 1967.
The song was much admired by American composer and conductor Leonard Bernstein. In his 1967 television special Inside Pop: The Rock Revolution, he described it as a "remarkable song" and demonstrated its shift in time signature as an example of the Beatles' talent for inventive and unexpected musical devices in their work. [80]