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Between 1613 and 1632, van Dyck travelled all over Europe – from his native Antwerp (where he began working as a painter, initially under Hendrick van Balen and later with Peter Paul Rubens), to England for a brief stay at the court of James I and then to Italy, where he had the chance to get to know the old masters.
A confusing number of different pigments used in painting have been called "Vandyke brown" (mostly in English-language sources). Some predate van Dyck, and it is not clear that he used any of them. [39] Van Dyke brown is an early photographic printing process using such a colour. When van Dyck was knighted in 1632, he anglicized his name to ...
Earlier 1635 painting with both Prince Charles and Prince James wearing skirts. In 1635 Van Dyck had painted a portrait of the same three children, which was intended to be sent to the Queen's sister Christina, in exchange for portraits of the Duchess's children. However, the King was angry with Van Dyck for showing Prince Charles wearing ...
Lord John Stuart and His Brother, Lord Bernard Stuart is a large oil painting by Anthony van Dyck, executed c. 1638.The life-size double portrait depicts the two youngest sons of Esmé Stewart, 3rd Duke of Lennox: Lord John Stewart (1621–1644) and Lord Bernard Stuart (1622–1645), aged about 17 and 16 respectively.
The Triple Portrait of Henrietta Maria is a 1638 painting by Antony van Dyck showing Henrietta Maria, wife of Charles I of England. Charles had previously commissioned van Dyck to produce a triple portrait of himself to send to Italy so that Bernini could produce a bust of him. When the bust arrived, the queen ordered a bust of herself by ...
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Saint Ambrose barring Theodosius from Milan Cathedral is a painting of c. 1619–20 by Anthony van Dyck in the National Gallery, in London. It draws heavily on a 1618 treatment of the same subject by Peter Paul Rubens, on which van Dyck had worked as a studio assistant. In van Dyck's version, Theodosius is beardless, the architectural ...
Cupid and Psyche is an oil on canvas painting by Anthony van Dyck.It is now in the British Royal Collection and shown in Kensington Palace. [1]One of the last works in van Dyck's oeuvre, it shows a marked influence of Titian and dates from his time as a court artist to Charles I of England.
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