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Traditionally, Assisi embroidery was rarely executed in cross-stitch but was most often in long-armed cross-stitch. Examples employing other stitches, such as Italian cross-stitch and Algerian plait stitch, are also known. The colours of thread used were red, blue, green or gold for the background and black or brown for the outlines.
Christian cross variants 7th-century Byzantine solidus, showing Leontius holding a globus cruciger, with a stepped cross on the obverse side Double-barred cross symbol as used in a 9th-century Byzantine seal Greek cross (Church of Saint Sava) and Latin cross (St. Paul's cathedral) in church floorplans
Spirals, step patterns, and key patterns are dominant motifs in Celtic art before the Christian influence on the Celts, which began around 450. These designs found their way into early Christian manuscripts and artwork with the addition of depictions from life, such as animals , plants and even humans .
Detail of cross stitch embroidery from Sweden. Cross stitch sampler with alphabets, crowns, and coronets, 1760 Cross stitch in canvas work. Cross stitches in embroidery, needlepoint, and other forms of needlework include a number of related stitches in which the thread is sewn in an x or + shape.
It is estimated to date from ca. 200 BCE –300 CE and is worked in cotton and wool pattern darning on a woven cotton ground. It has seventy-four figures of birds, plants and mythological beings. [6] Coptic sampler fragments [7] of silk on linen in double running stitch and pattern darning have been found in Egyptian burial grounds of 400–500 ...
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Berlin wool work is a style of embroidery similar to today's needlepoint that was particularly popular in Europe and America from 1804 to 1875. [1]: 66 It is typically executed with wool yarn on canvas, [2] worked in a single stitch such as cross stitch or tent stitch, although Beeton's book of Needlework (1870) describes 15 different stitches for use in Berlin work.
The Western (Latin) and Eastern (Greek) divisions of Christianity began to take on distinctive shape in 7th-century Christianity.Whereas in the East the Church maintained its structure and character and evolved more slowly, in the West the Bishops of Rome (the popes) were forced to adapt more quickly and flexibly to drastically changing circumstances.
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