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A Madea Christmas (musical play) Madea Gets a Job; Madea Goes to Jail (play) Madea's Big Happy Family; Madea's Class Reunion; Madea's Family Reunion (play) Marilyn and Ella; The Marriage Counselor; Meet the Browns (play) The Mighty Gents; The Mountaintop; A Movie Star Has To Star in Black and White
Taboo (1922 play) A Taste of Honey; The Far Country (play) The Road (play) This Is How It Goes; Thurgood (play) To Kill a Mockingbird (2018 play) Toussaint Louverture: The Story of the Only Successful Slave Revolt in History; Trying to Find Chinatown; Twilight: Los Angeles, 1992
Anna Lucasta is a 1944 American play by Philip Yordan.Inspired by Eugene O'Neill's Anna Christie, the play was originally written about a Polish American family.The American Negro Theatre director Abram Hill and director Harry Wagstaff Gribble adapted the script for an all African American cast, and presented the first performance on June 16, 1944.
From the bestselling author of “Black Cake” comes a story about an affluent Black New England family at the center of public spectacle following a home invasion where their son Baz was murdered.
The Battle of Hastings (play) Battle of Tippecanoe Outdoor Drama; Becket; The Belle of Amherst; A Bequest to the Nation; Bhopal (play) The Black Prince (play) Black Watch (play) Blood at the Root (play) Bloody Poetry; Bloody Sunday: Scenes from the Saville Inquiry; Boesman and Lena; The Bomb (play) Bonduca; The Burning (play) Byzantium (play)
When W. E. B. Du Bois saw a production of the Negro Players performing Ridgely Torrence's Three Plays for a Negro Theater in 1917, it influenced him to write, "The present spiritual production in the souls of Black folk is going to give American stage a drama that will lift it above silly songs and leg shows."
This year's Black History Month has the theme "African Americans and Labor." The ASALH shares that this theme "focuses on the various and profound ways that work and working of all kinds—free ...
This collection explores an array of themes connected to Black American life. Many of the included works contain elements of social criticism and messages of anti-racism. All but one were written in the early 1970s a "a socially and politically dynamic moment in the nation's history and a renaissance decade for black theater." [2]