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[1]: 34 The song is in the tradition of shepherd songs, derived from the Annunciation to the shepherds and the Adoration of the Shepherds from the Gospel of Luke (Luke 2:8-20). [1]: 34 Riedel's version is suited for a broad public. [3] The song is still popular.
Carols for Choirs was an instant success and became OUP Music Department's best-selling title, with over a million copies being sold. [2] OUP were keen to commission a second volume, but after the death of Jacques in 1969, a new editor had to be found to support Willcocks, and an undergraduate at Cambridge University , John Rutter , was recruited.
The work, as the earlier cantata, is festively scored, the characters are mythological figures, and the libretto is influenced by the contemporary shepherds' poetry which was popular at courts. Picander published the piece 1727 as Tafel-Music, suggesting that it was to be performed as theatre in shepherd costumes during a meal. [2] [6]
The "Shepherd's Pipe Carol" was composed by John Rutter in 1966 when he was studying as an undergraduate at Clare College at the University of Cambridge. [1] [2] Rutter stated that he believed his inspiration for writing it came from when he sang as a boy soprano during the opera "Amahl and the Night Visitors" and heard pipe music as the title character headed for Bethlehem with the Biblical Magi.
Rembrandt The Angel Appearing to the Shepherds, 1634. As described in verses 8–20 of the second chapter of the Gospel of Luke, shepherds were tending their flocks out in the countryside near Bethlehem, when they were terrified by the appearance of an angel. The angel explains that he has a message of good news for all people, namely that ...
Und es waren Hirten in derselben Gegend ("And there were shepherds in the same environs"), [1] BWV 248 II (also written as BWV 248 II), [2] is a 1734 Christmas cantata by Johann Sebastian Bach as the second part of his Christmas Oratorio. Bach was then Thomaskantor, responsible for music at four churches in Leipzig, a position he had assumed in ...
The idea for L'enfance went back to 1850 when Berlioz composed an organ piece for his friend Joseph-Louis Duc, called L'adieu des bergers (The Shepherds' Farewell). He soon turned it into a choral movement for the shepherds saying goodbye to the baby Jesus as he leaves Bethlehem for Egypt. Berlioz had the chorus performed as a hoax on 12 ...
The lyrics mention the ships sailing into Bethlehem, but the nearest body of water is the Dead Sea about 20 miles (32 km) away. The reference to three ships is thought to originate in the three ships that bore the purported relics of the Biblical Magi to Cologne Cathedral in the 12th century. [2]
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