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Working-class people in 18th century England and America often wore the same garments as fashionable people—shirts, waistcoats, coats and breeches for men, and shifts, petticoats, and dresses or jackets for women—but they owned fewer clothes and what they did own was made of cheaper and sturdier fabrics.
Before the 18th century, the manufacture of cloth was performed by individual workers, in the premises in which they lived and goods were transported around the country by packhorses or by river navigations and contour-following canals that had been constructed in the early 18th century. In the mid-18th century, artisans were inventing ways to ...
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Baumgarten, Linda: What Clothes Reveal: The Language of Clothing in Colonial and Federal America, Yale University Press, 2002. ISBN 0-300-09580-5; Black, J. Anderson and Madge Garland: A History of Fashion, Morrow, 1975. ISBN 0-688-02893-4
A close-bodied gown, English nightgown, or robe à l'anglaise was a women's fashion of the 18th century. Like the earlier mantua , from which it evolved, [ 1 ] the back of the gown featured pleats from the shoulder, stitched down to mould the gown closely to the body until the fullness was released into the skirt.
The tricorne or tricorn is a style of hat in a triangular shape, which became popular in Europe during the 18th century, falling out of style by the early 1800s. The word "tricorne" was not widely used until the mid-19th century. During the 18th century, hats of this general style were referred to as "cocked hats".
Rococo emerged during the early 18th century as a French mode of interior design and was considered the predominant artistic style in Europe at the time. However, there was no "rococo" art—the word "rococo" only emerged following the French Revolution and not commonly used until the early 19th century.
As the century wore on, bolder setts came to dominate, judging from later portraits and surviving cloth and clothing samples. By the early 18th century, tartan manufacture (and weaving in general) were centred in Bannockburn, Stirling; this is where the eventually dominant tartan weaver William Wilson and Son, founded c. 1765, were based. [274 ...
The Robe de cour, also known as robe de corpse, grand habit and grand habit de cour, was a women's fashion of 18th century Europe. It was the most formal dress model worn after 1700, when the mantua dress had replaced it in all but the most formal occasions, and continued to be worn as court dress during the entire century.