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Danse de la chèvre (French for Dance of the Goat) is a piece for solo flute by Arthur Honegger, written in 1921 as incidental music for dancer Lysana of Sacha Derek's play La mauvaise pensée. At the start of the piece, there is a slow dreamlike introduction consisting of tritone phrases.
1937 : H 110 Marthe Richard au service de la France 1911 : H 110a Orgue dans l'église for organ, music used in Marthe Richard au service de la France, H 110 1937 : H 111 Prelude á la Mort de Jaurès from the show Liberté, in collaboration with Arthur Hoérée, lost 1937 : H 112 Liberté, in collaboration with Arthur Hoérée, lost
Revolt, initially called Danse, was a modern dance solo choreographed by Martha Graham to music by Arthur Honegger. It premiered with the original title on October 16, 1927, at the Little Theatre in New York City. By February 1928 it appeared in programs as Revolt. [1]
Jeanne d'Arc au Bûcher: 2019 Stéphane Denève: Concertgebouw Orchestra: RCO Live Le Roi David: Charles Dutoit: Bavarian Radio Symphony Orchestra: Le Roi David Michel Piquemal: Orchestre de la Cité, Ile de France Regional Chorus: Naxos (USA) Une cantate de Noël: 1962 Ernest Ansermet: Orchestre de la Suisse Romande: Decca Une cantate de Noël ...
Théâtre du Jorat, Mézières, where the dramatic psalm was first performed. Original 1921 version: Honegger originally wrote his Le Roi David music for the forces that were available at Morax's Mézières village theatre group, creating a score for the resources available; a small ensemble of 16 musicians comprising: 2 flutes [1 doubling piccolo], 1 oboe [doubling cor anglais], 2 clarinets ...
From 1952 to 1968, René Le Roy was a solo flute at the New York City Opera Orchestra, and until 1971 he was a chamber music teacher at the Conservatoire de Paris. Among his students were Christine Alicot, Juho Alvas, Thomas Brown, Susan Morris DeJong, Geoffrey Gilbert and Bassam Saba.
Download QR code; Print/export ... Danse de la chèvre; G. La Guirlande de Campra; La Guirlande de Campra (ballet) J. Jeanne d'Arc au bûcher; M. Les mariés de la ...
Honegger described the movements as such: "The first part is based on very simple themes of popular character which stand out against the background of string harmonies from which they arise. The Andante contains a melodic theme, which progresses from solemnity to a sharp brilliance in an atmosphere of somewhat melancholy calm.