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With this arrangement, distortion and other effects can be applied to the guitar amp without affecting the solidity of the bass amp tone. Some bass amplifier combos have a "whizzer cone" attached to the low-frequency woofer's centre. The whizzer cone is about the same size as a dust cap, although it resembles a miniature speaker cone.
This article lists manufacturers of bass amplifiers, loudspeakers, and other amplification-related items such as preamplifiers. The amplifiers and loudspeakers used to amplify bass instruments (e.g., the bass guitar, double bass and similar instruments) are distinct from other types of amplification systems due to the particular challenges associated with low-frequency sound reproduction.
The Portaflex bass amp was reissued, with updates intended to make it more appealing to modern bass players. The Ampeg GVT series, introduced around 2010, is a series of tube amplifiers built in South Korea, employing the Baxandall tone circuit .
A Bass control is a low-pass filter that produces the same effect over lower pitched sounds. Tone stacks vary in their complexity. The simplest control is a single Tone knob that can be turned from Bass at one extreme to Treble at the other. More complex amps add Treble, Bass, and Middle controls.
The Ampeg SVT is a bass guitar amplifier designed by Bill Hughes and Roger Cox for Ampeg and introduced in 1969. The SVT is a stand-alone amplifier or "head" as opposed to a "combo" unit comprising amp and speaker(s) in one cabinet, and was capable of 300 watts output at a time when most amplifiers could not exceed 100 watts output, making the SVT an important amp for bands playing music ...
Fender Silverface Bassman amp AB165 amplifier, with a 2×15" speaker cabinet. The Fender Bassman is a series of bass amplifiers introduced by Fender during 1952. [citation needed] Initially intended to amplify bass guitars, musicians used the 5B6 Bassman to amplify other instruments, including electric guitars, harmonicas, and pedal steel guitars.
The best-known Versatone amplifier, the Pan-O-Flex Model 133, used a bi-amplification design with separate power amplifiers for the high and low frequencies. Some versions output through a pair of loudspeakers, an 8-inch and a 12-inch, while other, possibly third-party modifications, show a single 12-inch speaker, mounted in a modified baffle.
Subsequent design revisions to Mesa's early amps lead to the Mark Series, which popularized modern, high-gain circuits, [2] while the 1990s saw the introduction of Mesa's flagship Rectifier amps, the success of which made the brand a staple of modern rock tone. [3] In 2021, Mesa/Boogie was acquired by Gibson. [3]
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