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Satie's example guided a new generation of French composers away from post-Wagnerian impressionism towards a sparer, terser style. Among those influenced by him during his lifetime were Maurice Ravel , Claude Debussy , and Francis Poulenc , and he is seen as an influence on more recent composers such as John Cage and John Adams .
Erik Satie. The Véritables Préludes flasques (pour un chien) (True Flabby Preludes for a Dog) is a 1912 piano composition by Erik Satie. The first of his published humoristic piano suites of the 1910s, it signified a breakthrough in his creative development and in the public perception of his music. [1] [2] In performance it lasts about 5 ...
Erik Satie. In this list of Erik Satie's musical compositions, those series or sets comprising several pieces (e.g., Gnossienne 1, Gnossienne 2, etc.) with nothing but tempo indications to distinguish the movements by name, are generally given with the number of individual pieces simply stated in square brackets.
Erik Satie, Henri de Toulouse-Lautrec Suzanne Valadon ( French pronunciation: [syzan valadɔ̃] ; 23 September 1865 – 7 April 1938) was a French painter who was born Marie-Clémentine Valadon at Bessines-sur-Gartempe , Haute-Vienne, France.
Impressionism" is a philosophical and aesthetic term borrowed from late 19th-century French painting after Monet's Impression, Sunrise. Composers were labeled Impressionists by analogy to the Impressionist painters who use starkly contrasting colors, effect of light on an object, blurry foreground and background, flattening perspective, etc. to ...
Executed in Paris in 1894, it depicts French composer Erik Satie and his friend Stéphanie Nantas in a moment of intimate music making. It resides at the Museu Nacional d'Art de Catalunya in Barcelona. Due to modern interpretations, this artwork has acquired some notoriety in Satie's iconography in the 21st Century. [1]
In “Wait for History,” they fill an instrumental interlude with a scientist discussing the origin of the universe played under Erik Satie’s famous “Lent et douloureux,” which is the ...
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.