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This is the largest room in the Doge's apartments and runs the entire width of this wing of the palace. The hall was used as a reception chamber and its decoration with large geographical maps was designed to underline the glorious tradition that was at the very basis of Venetian power.
At the end of the 17th century things began to change dramatically, and for much of the 18th century Venetian painters were in remarkable demand all over Europe, even as the city itself declined and was a much reduced market, in particular for large works; [46] "Venetian art had become, by the mid-eighteenth century, a commodity primarily for ...
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Compared to the Renaissance architecture of other Italian cities, in Venice there was a degree of conservatism, especially in retaining the overall form of buildings, which in the city were usually replacements on a confined site, and in windows, where arched or round tops, sometimes with a classicized version of the tracery of Venetian Gothic architecture, remained far more heavily used than ...
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The work was completed using a version of the supposed Venetian secret. The Venetian secret was a major scandal in the art world of eighteenth-century Britain. It involved the alleged rediscovery of secret painting methods that Renaissance painters in Venice had purportedly used to produce dazzling effects of color. [ 1 ]
The Venetian patriciate (Italian: Patriziato veneziano, Venetian: Patrisiato venesian) was one of the three social bodies into which the society of the Republic of Venice was divided, together with citizens and foreigners. Patrizio was the noble title of the members of the aristocracy ruling the city of Venice and the Republic.
The Doge of Venice (/ d oʊ dʒ / DOHJ) [2] [a] was the doge or highest role of authority within the Republic of Venice (697 CE to 1797 CE). [3] The word Doge derives from the Latin Dux, meaning "leader," and Venetian Italian for “duke”, highest official of the republic of Venice for over 1,000 years. [4]