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Shakespeare introduced or invented countless words in his plays, with estimates of the number in the several thousands. Warren King clarifies by saying that, "In all of his work – the plays, the sonnets and the narrative poems – Shakespeare uses 17,677 words: Of those, 1,700 were first used by Shakespeare."
This category is for English phrases which were invented by Shakespeare, and older phrases which were notably used in his works. The main article for this category is William Shakespeare . Pages in category "Shakespearean phrases"
For Shakespeare, as he began to write, both traditions were alive; they were, moreover, filtered through the recent success of the University Wits on the London stage. By the late 16th century, the popularity of morality and academic plays waned as the English Renaissance took hold, and playwrights like Thomas Kyd and Christopher Marlowe revolutionised theatre.
Shakespeare added hundreds of new words to the English language, including many commonly used words and colorful expressions that we still use today.
Mainstream Shakespeare scholars maintain that biographical interpretations of literature are unreliable for attributing authorship, [10] and that the convergence of documentary evidence for Shakespeare's authorship—title pages, testimony by other contemporary poets and historians and official records—is the same as that for any other author ...
The Chandos portrait, believed to be Shakespeare, held in the National Portrait Gallery, London. William Shakespeare (1564–1616) [1] was an English poet and playwright. He wrote approximately 39 plays and 154 sonnets, as well as a variety of other poems. [note 1]
William Shakespeare's play Hamlet has contributed many phrases to common English, from the famous "To be, or not to be" to a few less known, but still in everyday English. Some also occur elsewhere (e.g. in the Bible) or are proverbial. All quotations are second quarto except as noted:
Shakespeare's reliance on earlier source material comes into consideration in "Coriolanus" [297] and "All's Well that Ends Well" [298] in particular. Repeatedly, Hazlitt focuses on scenes as they were staged. In the words of Arthur Eastman, he "reads the plays like a director, quick to detect cues as to motion, gesture, costume."