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  2. Antithesis - Wikipedia

    en.wikipedia.org/wiki/Antithesis

    In rhetoric, antithesis is a figure of speech involving the bringing out of a contrast in the ideas by an obvious contrast in the words, clauses, or sentences, within a parallel grammatical structure. [7] The term "antithesis" in rhetoric goes back to the 4th century BC, for example Aristotle, Rhetoric, 1410a, in which he gives a series of ...

  3. Chiasmus - Wikipedia

    en.wikipedia.org/wiki/Chiasmus

    Both chiasmus and antimetabole can be used to reinforce antithesis. [6] In chiasmus, the clauses display inverted parallelism.Chiasmus was particularly popular in the literature of the ancient world, including Hebrew, Greek, Latin and K'iche' Maya, [7] where it was used to articulate the balance of order within the text.

  4. Glossary of rhetorical terms - Wikipedia

    en.wikipedia.org/wiki/Glossary_of_rhetorical_terms

    Hermeneutics – the theoretical underpinnings of interpreting texts, usually religious or literary. Heteroglossia – the use of a variety of voices or styles within one literary work or context. Homeoteleuton – a figure of speech where adjacent or parallel words have similar endings inside a verse, a sentence. Authors often use it to evoke ...

  5. Glossary of literary terms - Wikipedia

    en.wikipedia.org/wiki/Glossary_of_literary_terms

    Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...

  6. Zeugma and syllepsis - Wikipedia

    en.wikipedia.org/wiki/Zeugma_and_syllepsis

    The Oxford Dictionary of Literary Terms offers a much broader definition for zeugma by defining it as any case of parallelism and ellipsis working together so that a single word governs two or more parts of a sentence. [17] Vicit pudorem libido timorem audacia rationem amentia. (Cicero, Pro Cluentio, VI.15)

  7. Apollonian and Dionysian - Wikipedia

    en.wikipedia.org/wiki/Apollonian_and_Dionysian

    The Apollonian and the Dionysian are philosophical and literary concepts represented by a duality between the figures of Apollo and Dionysus from Greek mythology.Its popularization is widely attributed to the work The Birth of Tragedy by Friedrich Nietzsche, though the terms had already been in use prior to this, [1] such as in the writings of poet Friedrich Hölderlin, historian Johann ...

  8. A Complete Guide to Rebecca Yarros’s Books - AOL

    www.aol.com/complete-guide-rebecca-yarros-books...

    The first entry in the author’s Empyrean series, it took the literary world by storm when it was published in 2023, enchanting readers with dragon riders, steamy scenes, and high-stakes drama.

  9. Stichomythia - Wikipedia

    en.wikipedia.org/wiki/Stichomythia

    Stichomythia (Ancient Greek: στιχομυθία, romanized: stikhomuthía) is a technique in verse drama in which sequences of single alternating lines, or half-lines (hemistichomythia [1]) or two-line speeches (distichomythia [2]) are given to alternating characters.