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Blue and white ware did not accord with Chinese taste at that time, the early Ming work Gegu Yaolun (格古要論) in fact described blue as well as multi-coloured wares as "exceedingly vulgar". [16] Blue and white porcelain however came back to prominence in the 15th century with the Xuande Emperor, and again developed from that time on. [14]
Jasperware vase and cover, Wedgwood, about 1790, in the classic colours of white on "Wedgwood Blue". The design incorporates sprig casts of the muses supplied by John Flaxman, Sr. [1] Victoria and Albert Museum, London. Jasperware, or jasper ware, is a type of pottery first developed by Josiah Wedgwood in the 1770s.
Noteworthy Kangxi (1662-1722) and Qianlong (1736-1795) pieces are the large blue-and-white porcelain chargers, the underglaze red pots and blue-and-white ritual stand with two side vases. There are numerous polychrome Kangxi 'Famille verte' and Qianlong 'Famille rose' plates in the collection. The collection holds a pair of 'Famille noire' pots ...
In 1970 a small fragment of a blue and white bowl, again dated to the 11th century, was also excavated in the province of Zhejiang. In 1975, shards decorated with underglaze blue were excavated at a kiln site in Jiangxi and, in the same year, an underglaze blue and white urn was excavated from a tomb dated to 1319, in the province of Jiangsu .
One of them is an oxblood red used on large decorative bowls and vases. He experimented with that glaze in odd moments over a period of a dozen or fifteen years. The color comes out in the kiln. By control of heat he controlled the behavior of the coloring. Another unique glaze he produced was a Persian blue, a turquoise blue with pebble effect.
Square is available as dinner, luncheon and salad plates, 19 oz. bowls and mugs, four-piece place settings, as well as a full line of accessories. Despite square silhouettes, pieces maintain a strong relationship to the company's established 'round' deco offering; coupe shape and height remain the same, along with the brand's signature ...
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