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From the 1920s to the 1950s it was estimated that 90 percent of the production was milk glass. [1] Westmoreland produced carnival glass beginning in 1908 and reissued novelties and pattern glass in carnival treatments in the 1970s until the plant closed in 1984. [3] Westmoreland also produced high quality hand-decorated cut glass. [1]
Milk glass pieces can range in value from $15-$25 for a small milk glass vase to hundreds of dollars for a large punchbowl set with matching cups in a highly decorative pattern in excellent condition.
Milk glass is an opaque or translucent, milk white or colored glass that can be blown or pressed into a wide variety of shapes. First made in Venice in the 16th century, colors include blue, pink, yellow, brown, black, and white.
A milk glass version was called Orange Blossom. [60] Pyramid is a pattern name used by collectors for the Indiana Glass pattern number 610. This pattern was made from 1926 to 1932. In 1974 and 1975, reproductions were made using black and blue glass that had not been used earlier for this pattern. [61]
A peach glass over milk glass. [23] Gold overlay 1949 Milk glass with an amber overlay. [25] Green overlay 1949-53 Milk glass covered in green glass. [25] Ivy 1949-52 Dark green over white glass. [25] Rose overlay 1943-48 Milk glass cased with light pink glass. [25] Shelly Green overlay 1967 Colonial green over milk glass, used only on lamps. [23]
Hazel-Atlas made large quantities of "Depression" pressed glassware in a wide variety of patterns in the 1920s–1940s, along with many white milkglass "inserts" used in zinc fruit-jar lids, many types of milkglass cold-cream jars and salve containers, and a large variety of bottles and jars for the commercial packaging industry. "Atlas" was ...
Carnival glass was made in a wide array of colours, shades, colour combinations and variants. More than fifty have been formally classified. These classifications do not go by the surface colours showing, which can be even more varied, but by the 'base' colours of the glass before application of the iridizing mineral salts.
They are wheel made and uniform in shape, and were either smooth or bore a diagonal ridge pattern. Most bear a mark of some kind, usually an individual's initials and a date. Starting around the middle half of the 18th century the vessels started to become characterized by a natural flowing motif of “sticks”, or a raised design of flowers ...