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Reger had written such works already as a student in Wiesbaden. He turned to the organ in Weiden. On 31 December 1901, Reger approached the publisher Henri Hinrichsen of C. F. Peters to find out if he was ready to print in 1902 piano works, songs or chamber music. Henri answered that would prefer organ works easy to play ("leichte Spielbarkeit ...
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A book playing a large Gavioli fairground organ. Book music (French: Livre de musique) is a medium for storing the music played on mechanical organs, mainly of European manufacture. Book music is made from thick cardboard, containing perforated holes specifying the musical notes to be played, with the book folded zig-zag style.
He also wrote many series of piano and organ method books, such as the David Carr Glover Piano Course (1956), Boogie-Woogie and How to Play It (1958), David Carr Glover New Organ Course (1962), Playing the Piano (1963), Piano Student and Piano Repertoire (1967), and David Carr Glover Method for Piano (1988). Some of these method books are still ...
A Graded Anthology For Organ: Book 1: A Practical Guide To Playing The Organ, Cramer Music 1997; A Graded Anthology For Organ: Books 2-5 (edited by Anne Marsden Thomas) Cramer Music 1997; The Church Year (in partnership with Ann Elise Smoot), Cramer Music 1996, Organ Practice, Royal School of Church Music 1993
Brimhall is perhaps best known for his easy arrangements of classical and American popular music for piano students. He studied at Loyola University, the University of San Francisco and Stanford University. [1] Brimhall is thought to be the most published arranger of printed music in history, [2] having sold over 75 million copies of over 500 ...
Andante (Prelude) in D minor for organ, WAB 126/2 (c. 1846) Prelude in E flat major for organ, WAB 127 (c. 1835, doubtful authorship, possibly by Johann Baptist Weiss) Four Preludes in E flat major for organ, WAB 128 (c. 1835, doubtful authorship, possibly by Johann Baptist Weiss) Prelude (Perger Präludium) in C major for organ, WAB 129 (1884)
Unlike most other organ preludes and fugues of Bach, the autograph fair copy of the score survives, [2] though the handwriting changes twenty two measures into the fugue to the hand of Johann Peter Kellner, [3] a likely pupil and acquaintance of Bach who played an important role in the copying of his manuscripts. Because of the work's immense ...
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