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Some scholars of comparative mythology identify both Dionysus and Jesus with the dying-and-rising god mythological archetype. [346] On the other hand, it has been noted that the details of Dionysus' death and rebirth are starkly different both in content and symbolism from Jesus.
The German historian of religion Martin Hengel notes that the Hellenized Syrian satirist Lucian of Samosata ("the Voltaire of antiquity"), in his comic dialogue Prometheus, written in the second century AD (about two hundred years after Jesus), describes the god Prometheus being fastened to two rocks in the Caucasus Mountains using all the ...
The concept of a dying-and-rising god was first proposed in comparative mythology by James Frazer's seminal The Golden Bough (1890). Frazer associated the motif with fertility rites surrounding the yearly cycle of vegetation. Frazer cited the examples of Osiris, Tammuz, Adonis and Attis, Zagreus, Dionysus, and Jesus. [5]
Dionysus, the god of wine, theatre, and ecstasy in ancient Greek religion, has been compared to many other deities, both by his classical worshippers and later scholars.. These deities include figures outside of ancient Greek religion, such as Jesus, [1] Osiris, [2] Shiva, [3] and Tammuz, [4] as well as figures inside of ancient Greek religion, such as Had
Paris Olympics organizers issued an apology on Sunday after a scene depicting the Greek god Dionysus drew criticism for allegedly mocking Leonardo da Vinci's painting “The Last Supper,” which ...
Many katabatic figures (including Hercules, Dionysus, and Jesus Christ) also undergo apotheosis; Dying-and-rising god, a mythological trope in which a god dies and then returns from the Afterlife and/or is reborn, sometimes cyclically. Examples include Dionysus, Persephone, Ishtar, and Jesus Christ. Kenosis
“In this scene from the Olympic opening ceremony, the famous painting of The Last Supper is recreated, but Jesus is replaced with an obese woman, while queer and trans figures (including a child ...
This association was most notable during a deification ceremony where Mark Antony became Dionysus-Osiris, alongside Cleopatra as Isis-Aphrodite. [3] In the controversial book The Jesus Mysteries, Osiris-Dionysus is claimed to be the basis of Jesus as a syncretic dying-and-rising god, with early Christianity beginning as a Greco-Roman mystery. [4]