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Rasa is an ancient concept in Indian arts about the aesthetic flavor of any visual, literary or musical work, that evokes an emotion or feeling in the reader or audience, but that cannot be described. [34] According to the Natya shastra, the goal of arts is to empower aesthetic experience, deliver emotional rasa (juice, taste).
Aestheticism (also known as the aesthetic movement) was an art movement in the late 19th century that valued the appearance of literature, music, fonts and the arts over their functions. [ 1 ] [ 2 ] According to Aestheticism, art should be produced to be beautiful, rather than to teach a lesson , create a parallel , or perform another didactic ...
It examines topics such as art works, aesthetic experience, and aesthetic judgment. [15] Aesthetic experience refers to the sensory contemplation or appreciation of an object (not necessarily a work of art), while artistic judgment refers to the recognition, appreciation or criticism of art in general or a specific work of art. In the words of ...
Art and (aesthetic) mythology, according to Dewey, is an attempt to find light in a great darkness. Art appeals directly to sense and the sensuous imagination, and many aesthetic and religious experiences occur as the result of energy and material used to expand and intensify the experience of life.
The New Aesthetics is an art movement that emphasizes the material and physical processes involved in the creation of visual art. This movement is distinct and unrelated to "The New Aesthetic " concept coined by James Bridle .
Theories of aesthetic response [1] or functional theories of art [2] are in many ways the most intuitive theories of art. At its base, the term "aesthetic" refers to a type of phenomenal experience, and aesthetic definitions identify artworks with artifacts intended to produce aesthetic experiences. Nature can be beautiful and it can produce ...
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The latter was described as the aesthetic rapture brought about by a display of huge power or force affected by nature or works of art. [13] According to Heidegger, Nietzsche’s nihilistic misinterpretation of the Kantian theory of aesthetics is misplaced because it also supports the Dionysian understanding of beauty as rapture or ecstasy that ...