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Op. 56a, Hymn to St Peter for treble, SATB and organ, 1955; Op. 56b, Antiphon for SATB and organ, 1955; Op. 57, The Prince of the Pagodas, ballet, 1956 Op. 57a, Pas de six from The Prince of the Pagodas; Op. 58, Songs from the Chinese for soprano or tenor and guitar, 1957; Op. 59, Noye's Fludde, opera (Chester mystery play), 1957
Benjamin Britten's Jubilate Deo is a sacred choral setting of Psalm 100 in English, written in 1961 for St George's Chapel, Windsor Castle, "at the request of H.R.H. The Duke of Edinburgh ". [ 1 ] Britten scored the joyful music in C major for four-part choir and organ .
SATB is an initialism that describes the scoring of compositions for choirs or consorts of instruments. The initials are for the voice types : S, soprano , A, alto , T, tenor and B, bass . It can also describe a choir, collectively for SATB music.
choral (Lux Christi) soprano, alto, tenor and bass soloists, chorus and orchestra: Dr. C. Swinnerton Heap: Rev. E. Capel-Cure, adapted from the Scriptures: Novello 30: 1896: Scenes from The Saga of King Olaf: choral: cantata for soprano, tenor and bass soloists, chorus and orchestra incl. part-song "As torrents in summer" pub. separately ...
The cantata is festively scored for SATB soloists and choir, three trumpets, timpani, flauto traverso, three oboes, strings and continuo. A revised version of the cantata, BWV 130.2, was performed in Leipzig between 1732 and 1735. A manuscript likely from the second half of the 18th century contains two variant versions of the cantata.
When First Thine Eyes Unveil for SATB & Organ (1925) My Eyes For Beauty Pine for SATB & Organ (1925) Tune thy Music − Unison song for voices and piano (1927) Requiem for SATB unaccompanied; words from various sources. (1932; publ. 1981) O Pray for the Peace of Jerusalem for SATB & Organ (1941) We have heard with our ears for SATB & Organ (1941)
Mass of the People of God (1980), for SATB choir and organ; Three Choric Hymns (1980), for a cappella SATB choir; Now Is The Singing Day (1981), for mezzo-soprano and baritone soli, SATB choir, two pianos, percussion and string orchestra; Mass of Saint Margaret of Scotland (1982), unison choir/SATB choir and organ/piano
Matthew's gospel continues "My yoke is easy, and my burden is light", however for the closing choral movement of Part I, the words are changed to "His yoke is easy, His burden is light". Light and easy-going is the theme of a fugue, drawn from the duet for two sopranos "Quel fior che all’alba ride" (HWV 192, July 1741).