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Chione was the sister of Cleopatra (wife of Phineus, king of Thrace) and the Argonauts, Calaïs and Zetes. [3] According to a late, though generally accepted tradition, Chione was the mother of Poseidon's son Eumolpus whom she threw into the ocean for fear of her father's reaction; however, Eumolpus is rescued and raised by Poseidon.
Original sheet music cover image "Guaglione" (pronounced [waʝˈʝoːnə]) is a Neapolitan song with music by Giuseppe Fanciulli and words by Nicola "Nisa" Salerno.This original version of the song was the winning song at the IV Festival di Napoli which was broadcast on radio in 1956.
This is the pronunciation key for IPA transcriptions of Italian on Wikipedia. It provides a set of symbols to represent the pronunciation of Italian in Wikipedia articles, and example words that illustrate the sounds that correspond to them.
Speech translation is the process by which conversational spoken phrases are instantly translated and spoken aloud in a second language. This differs from phrase translation, which is where the system only translates a fixed and finite set of phrases that have been manually entered into the system. Speech translation technology enables speakers ...
In Greek mythology, Chione (/ k aɪ ˈ oʊ n iː /; [1] Ancient Greek: Χιόνη, romanized: Khiónē, lit. 'snowy', from χιών, khiṓn, 'snow') may refer to the following women: Chione, daughter of Boreas and mother of Eumolpus by Poseidon. [2] Chione, daughter of Daedalion, and mother of Philammon and Autolycus by Apollo and Hermes ...
There are a number of different accounts of the birth of Autolycus. According to most, he was the son of Hermes [3] and Chione [4] or Philonis. [5] In Ovid's version, Autolycus was conceived after Hermes had intercourse with the virgin Chione. [6] Pausanias instead states that Autolycus' real father was Daedalion.
Ambient language plays an increasingly significant role as children begin to solidify early syllable structure. Syllable combinations that are infrequent in the Italian lexicon, such as velar-labial sequences (e.g. capra 'goat' or gamba 'leg') are infrequently produced correctly by children, and are often subject to consonant harmony. [52]
s followed by a voiced consonant becomes voiced [z], as in Italian. scc is pronounced [ʃtʃ], like sc of the Italian word scena followed sonorously by c of the Italian word cilindro. x is read [ʒ] like the French j (e.g. jambon, jeton, joli). z, even when it is doubled as zz, is always pronounced [z] as the s in the Italian word rosa. [9]
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