Search results
Results from the WOW.Com Content Network
In all countries which recognize an author's rights, the right to dramatize (a novel, short story, or whatever) is held by the author as part of his copyright. The majority of countries assume that there is a point, however, where a dramatization is so remote from the original novel (for example) as to take it outside the dramatization right ...
Reading also allows the reader to build empathy while reading about others' life experiences that are much different than their own. It provides a window into someone else's world.
[4] [2] The interpretation of the dramatic reading relies almost entirely on the actors' voices. Although the early readers theater groups used only scripts and stools, the choice to read or memorize and whether to remain seated or allow movement vary according to the desires of the performing group.
Two Girls Reading by Pierre-Auguste Renoir Reader-response criticism is a school of literary theory that focuses on the reader (or " audience ") and their experience of a literary work , in contrast to other schools and theories that focus attention primarily on the author, content, or form of the work.
The simple view of reading is that reading is the product of decoding and language comprehension. In this context, “reading” refers to “reading comprehension”, “decoding” is simply recognition of written words [1] and “language comprehension” means understanding language, whether spoken or written.
The New York Times called it an "idea book," a "riveting" analysis of how skilled long-term thinkers approach decisions that, unlike a typical business book, does not prescribe "easy formulas" for how one would make decisions about "the grand moments that shape our futures."
Leitwortstil, which means "leading word style" in German, [7] is the repetition of a wording, often with a theme, in a narrative to make sure it catches the reader's attention. [8] An example of a leitwortstil is the recurring phrase, "So it goes", in Kurt Vonnegut 's novel Slaughterhouse-Five .
The term "distant reading" is generally attributed to Franco Moretti and his 2000 article, Conjectures on World Literature. [1] In the article, Moretti proposed a mode of reading which included works outside of established literary canons, which he variously termed "the great unread" [2] and, elsewhere, "the Slaughterhouse of Literature". [3]