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The most distinctive music of Uruguay is to be found in the tango and candombe; both genres have been recognized by UNESCO as an Intangible Cultural Heritage of Humanity. . Uruguayan music includes a number of local musical forms such as murga, a form of musical theatre, and milonga, a folk guitar and song form deriving from Spanish and italian traditions and related to similar forms found in ...
Vega identified and analyzed the native instruments and folkloric rhythms and dances of Argentina, disseminating his findings in fundamental works, such as Danzas y canciones argentinas (1936), the series Bailes tradicionales argentinos (1940s), La música popular argentina (1944), Música sudamericana (1946), Los instrumentos musicales ...
Catullus – Cantos IV and V: Arunculeia is the name of the bride in the Epithalamion Carmen 61 – Canto V: "vesper adest" is from another epithalamion Carmen 62 – Canto XX: "quasi tinnula" ("as if ringing") echoes "voce carmina tinnula" ("singing in a ringing voice") from Carmen 61 – Canto XXVIII "voce tinnula" echoes Carmen 61 again.
He began composing during the 1930s, and met with a certain amount of popularity in his native city. He recorded with his group Los Tradicionales, formed in 1953. From 1962 he was a regular performer in La Bodeguita del medio, a bar-restaurant in Old Havana which was a favourite haunt of Cuban and foreign intellectuals. [2]
The culture of Latin America is the formal or informal expression of the people of Latin America and includes both high culture (literature and high art) and popular culture (music, folk art, and dance), as well as religion and other customary practices.
Due to its geographical roots, tropical music generally combines elements from European and African traditions. An example of this is the process of binarization of ternary rhythms brought from Africa, which took place originally in Cuba, later spreading throughout the rest of the Caribbean and Latin America. [3]
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Mariano Padilla y Ramos (photograph by Hansen, Schou & Weller) Francisco de Asís Mariano del Carmen Marco Padilla y Ramos ; [ 1 ] 18 July 1843 – 21 November 1906), [ 2 ] known as Mariano Padilla y Ramos , was a Spanish operatic baritone who excelled in the title role of Mozart 's Don Giovanni .