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Dumble was a guitar amplifier manufacturer in Los Angeles. A Dumble Overdrive Special . In a one-person operation, Alexander "Howard" Dumble (June 1, 1944 – January 16, 2022) [1] [2] made each amp personally. Thus Dumble amplifiers are the most expensive boutique amplifiers on the used market [3] and prices have risen rapidly.
The 400 BH power amp module was used in a range of bass amps during the early 1980s, commencing with the MKIII Bass Head in 1979. The MKIV Bass Amp head unit, introduced in 1981, offers a range of functions. It is air cooled, features protection circuitry, and is capable of around 300/350 watts RMS safely into 2 ohms.
2x Pro Bias, 1x Normal Bias (or Pro Bias), RCA Loop Out Vacuum tube (4x 6FQ7/6CG7) / Solid state hybrid SRM-717 2000 450 V 1x Balanced XLR, 1x RCA 2x Pro Bias, RCA Loop Out Solid state SRM-323A / SRM-323II 2006 400 V 2x RCA 2x Pro Bias, RCA Loop Out Solid state SRM-006tA / SRM-006tII 2006 300 V 1x Balanced XLR, 2x RCA 2x Pro Bias, RCA Loop Out
In the mid 1980s, Pass designed the well-reviewed Adcom GFA-555 amplifier. This was a Bipolar Junction Transistor (BJT) based design. [6] [7] Nelson also designed the GFA-5XXX MOSFET-based series of high-bias class-AB amplifiers for Adcom (i.e. -5300, -5400, -5500, -5800).
The Power Station serves as a power attenuator, power booster, and reamping device with a passive line out and posts load amp effects loop. The internal power amp response can be adjusted using dedicated Presence and Depth controls based on Fryette's original Depth Control design introduced in 1988. Aether Amplifier. Also introduced in 2014 ...
Audio stereo power amplifier made by McIntosh The internal view of a Mission Cyrus One hi-fi integrated audio amplifier (1984) [1]. An audio power amplifier (or power amp) amplifies low-power electronic audio signals, such as the signal from a radio receiver or an electric guitar pickup, to a level that is high enough for driving loudspeakers or headphones.
Throughout the decade, Mesa continued to produce combo and head amplifiers, and began production of rack power and pre-amps, developing power amplifiers such as the M180/190 and Strategy series, as well as pre-amps such as the Quad and Studio. Other models developed in the 1980s included the Mark III, Mark IV, the Son of Boogie, and the Studio .22.
In electronics engineering, frequency compensation is a technique used in amplifiers, and especially in amplifiers employing negative feedback.It usually has two primary goals: To avoid the unintentional creation of positive feedback, which will cause the amplifier to oscillate, and to control overshoot and ringing in the amplifier's step response.
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