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Stephen Owen 'Li Po: a new concept of genius," in Stephen Owen. The Great Age of Chinese Poetry : The High T'ang. (New Haven Conn.: Yale University Press, 1981). ISBN 978-0-300-02367-1. Varsano, Paula M. (2003). Tracking the Banished Immortal: The Poetry of Li Bo and its Critical Reception (University of Hawai'i Press, 2003). ISBN 978-0-8248 ...
I alone, drinking, without a companion. I lift the cup and invite the bright moon. My shadow opposite certainly makes us three. But the moon cannot drink, And my shadow follows the motions of my body in vain. For the briefest time are the moon and my shadow my companions. Oh, be joyful! One must make the most of Spring.
Li Bai and Du Fu did meet and in fact Du Fu greatly admired Li Bai. In the introduction of Three Chinese Poets , Seth talks about the influence of translations on his life and work; that while sometimes he has been so moved by a translation that he learnt another language to read the original, he doubts that he would ever be able to do this as ...
The poem is one of Li's shi poems, structured as a single quatrain in five-character regulated verse with a simple AABA rhyme scheme (at least in its original Middle Chinese dialect as well as the majority of contemporary Chinese dialects). It is short and direct in accordance with the guidelines for shi poetry, and cannot be conceived as ...
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality.
The Eight Immortals of the Wine Cup depicted by Ming dynasty painter Du Jin Kozuka with Li Bai drinking a cup of wine while looking at a waterfall. The Eight Immortals of the Wine Cup or Eight Immortals Indulged in Wine (Chinese: 飲中八仙; pinyin: yǐnzhōng bāxiān) were a group of Tang dynasty scholars who are known for their love of alcoholic beverages.
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The River Merchant's Wife: A Letter" is a four stanza poem, written in free verse, and loosely translated by Ezra Pound from a poem by Chinese poet Li Bai, called Chánggān Xíng, or Changgan song. It first appeared in Pound's 1915 collection Cathay. It is the most widely anthologized poem of the collection. [1]