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Polish composer Krzysztof Penderecki wrote his Symphony No. 2 during the winter of 1979–80. Sometimes referred to as the "Christmas Symphony" (the opening phrase from the Christmas carol " Silent Night " occurs three times during the symphony), neither the score nor the parts ( Schott Music , Mainz 45 791) make any reference to this moniker.
Chamber music: 6: 1901: Scherzo Phantastick: for 2 violins, viola and cello: Chamber music: 7: 1901: String Quintet in E minor: for 2 violins, 2 violas and cello: Chamber music: 8: 1901: Berceuse in B ♭ major: for violin or cello and piano: Concertante: 8: 1901: Berceuse in B ♭ major: for violin and string orchestra: original for violin or ...
The Scherzo No. 2 in B ♭ minor, Op. 31 is a scherzo by Frédéric Chopin. The work was composed and published between 1835 and 1837, [ 1 ] and was dedicated to Countess Adèle Fürstenstein. As pianist David Dubal has written, [ 2 ] Robert Schumann compared this scherzo to a Byronic poem, "so overflowing with tenderness, boldness, love and ...
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The scherzo and the finale are filled with Beethovenian musical jokes, which shocked the sensibilities of many contemporary critics. One Viennese critic for the Zeitung fuer die elegante Welt (Newspaper for the Elegant World) famously wrote of the Symphony that it was "a hideously writhing, wounded dragon that refuses to die, but writhing in ...
No. 2 En rhythme molossique ("In Molossian rhythm") in D minor No. 3 Scherzo diabolico ("Diabolic scherzo") in G minor No. 4 Symphony for solo piano: Allegro moderato in C minor No. 5 Symphony for solo piano: Marche funèbre (Andantino) in F minor No. 6 Symphony for solo piano: Menuet in B ♭ minor No. 7 Symphony for solo piano: Finale (Presto ...
Gordon Percival Septimus Jacob CBE (5 July 1895 – 8 June 1984) was an English composer and teacher. He was a professor at the Royal College of Music in London from 1924 until his retirement in 1966, and published four books and many articles about music.
The first movement is constructed of three successive segments. In the first, the violin is silent, the cello is silent for the second, and all three instruments join for the third, with adjustments made to the piano melody originally heard in the first segment, as well as the violin melody that returns from the second segment.