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The power of the feelings depicted and connected in the history of Pretty Cure. Even if we look different, even if we don't speak the same language, if we have a caring heart, it will definitely reach our hearts. We will carefully depict such a "Pretty Cure" appearance through the bond with animals." [9]
[8] [9] The album spawned the singles "Straight On" and "Dog & Butterfly". As Heart themselves noted on the album's release, side one was the Dog side, and was the more "rocking" compared to the Butterfly side two, which consisted mostly of ballads, with the exception of the closer "Mistral Wind".
Ann has said she was inspired when she looked out a window and saw a dog relentlessly chasing a butterfly. She saw the song as an inspiration when things get tough to "keep going after it." [2] Cash Box called it a "gentle acoustic ballad which rides a melodic verse and acoustic guitar and easy beat backing."
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"Heart-Shaped Box" is a song by the American grunge band Nirvana, written by vocalist and guitarist Kurt Cobain. It appears as the third track on the band's third and final studio album, In Utero, released by DGC Records in September 1993.
Butterflies Are Free is a 1972 American comedy-drama film based on the 1969 play by Leonard Gershe. The 1972 film was produced by M. J. Frankovich, released by Columbia Pictures, directed by Milton Katselas and adapted for the screen by Gershe. It was released on July 6, 1972, in the U.S.
Hopper uses it to trap Turbo in a jack-in-the-box and turn Shiny and Iris into a butterfly and an elephant respectively. When the sisters violently crash into the shop, a toy jaw comes to life as a result and starts terrorizing the bunnies; the rest attempt to find a way to escape and potentially befriend the problematic piece of plastic.
"Hearts and Flowers" (subtitle: "A New Flower Song") is a song composed by Theodore Moses-Tobani (with words by Mary D. Brine) and published in 1893 by Carl Fischer Music. The famous melody is taken from the introductory 2/4 section of "Wintermärchen" Waltzes Op. 366 (1891) by the Hungarian composer Alphons Czibulka .
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