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Advaita Vedanta refers to the three meanings that all words and sentences carry – the primary or direct meaning, the implied meaning and the suggested meaning. The implied meaning, known as Lakshana, is of three kinds – Jahallakshana which consists in discarding the direct meaning in favour of the indirect or implied meaning, Ajahallakshana in which the direct meaning is not completely ...
Samudrika, also known by the generic titles Samudrika-shastra or Samudrika-lakshana, is an anonymous work with two versions. The first version is found throughout India, and one manuscript names Mula-deva as its main author, plus Vama-deva as the author of twenty verses.
Dhanika has worked to collect example verses from various plays of the time for each rule or lakshana. (such as Ratnavali, Mrucchakatikam, Venisamhara, Mahaveeracharitam etc.) and add to this book. (such as Ratnavali, Mrucchakatikam, Venisamhara, Mahaveeracharitam etc.) and add to this book.
Karanas are the 108 key transitions [1] in the classical Indian dance described in 4th Chapter named "Tandava Lakshana" of Natya Shastra. Karana is a Sanskrit verbal noun, meaning "doing". Description
Lakshmana's father had organized a svayamvara ceremony, in which a bride chooses a groom from assembled suitors. The Bhagavata Purana mentions that Krishna abducts Lakshmana from the svayamvara, just like the demigod-eagle Garuda had stolen the jar of the elixir of life from the gods.
Charukesi scale with Shadjam at C. It is the 2nd rāgam in the 5th chakra Bana.The mnemonic name is Bana-Sri.The mnemonic phrase is sa ri gu ma pa dha ni. [1] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
Some commentators also argue that the work is also known as Lakshana-Prakasha. [2] While some note, Bhoja had authored another extensive work, which concentrated on poetry with the same title. [ 3 ] In line with many Sanskrit grammarians who had incorporated Panini's Vedic sutras to understand classical Vedic mantras .
Madhyamavati (madhyamāvati) is a raga in Carnatic music (musical scale of South Indian classical music). It is an audava rāga (or owdava rāga, meaning pentatonic scale), as it does not have all the seven musical notes ().