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Advaita Vedanta refers to the three meanings that all words and sentences carry – the primary or direct meaning, the implied meaning and the suggested meaning. The implied meaning, known as Lakshana, is of three kinds – Jahallakshana which consists in discarding the direct meaning in favour of the indirect or implied meaning, Ajahallakshana in which the direct meaning is not completely ...
Dasharupakam (Daśarūpakam) is a treatise on the structure and rules (Lakshana or Prakarana grantha) for popular theatre and drama presentations of the time, written by Dhananjaya in the 10th century.
Samudrika, also known by the generic titles Samudrika-shastra or Samudrika-lakshana, is an anonymous work with two versions. The first version is found throughout India, and one manuscript names Mula-deva as its main author, plus Vama-deva as the author of twenty verses.
Lakshmana's father had organized a svayamvara ceremony, in which a bride chooses a groom from assembled suitors. The Bhagavata Purana mentions that Krishna abducts Lakshmana from the svayamvara, just like the demigod-eagle Garuda had stolen the jar of the elixir of life from the gods.
Charukesi scale with Shadjam at C. It is the 2nd rāgam in the 5th chakra Bana.The mnemonic name is Bana-Sri.The mnemonic phrase is sa ri gu ma pa dha ni. [1] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
This preliminary commentary on the Gita is the earliest example of Madhva's style which is characterised by its terseness and brevity. [3] He quotes from a variety of rare sources and scriptures and is not an exhaustive commentary on the Gita as it concentrates only on a few verses.
Lakshana Parinayamu (1897–1901) was a mythological work which describes the marriage of Krishna and Lakshana. Ela Mahatmyamu (1898–1900) was a work on the sanctity of River Ela. Jataka Carya (1899–1930) and Iteevali Carya (1930–1950) are two unique works by Venkata Sastry. It is somewhat autobiographical work based on jyotishaphala.
Madhyamavati (madhyamāvati) is a raga in Carnatic music (musical scale of South Indian classical music). It is an audava rāga (or owdava rāga, meaning pentatonic scale), as it does not have all the seven musical notes ().
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