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Ipswich ware is a type of Anglo-Saxon pottery produced in Britain between the eighth and ninth centuries AD. Manufactured in the Ipswich, Suffolk area, it is considered to be the first wheel-turned and mass-produced pottery in post-Roman Britain. The pottery is a simple, hard grey ware with little or no decoration. Most vessel types include ...
Shoulder-clasps from Sutton Hoo, early 7th century 11th century walrus ivory cross reliquary (Victoria & Albert Museum). Anglo-Saxon art covers art produced within the Anglo-Saxon period of English history, beginning with the Migration period style that the Anglo-Saxons brought with them from the continent in the 5th century, and ending in 1066 with the Norman Conquest of England, whose ...
"[Trewhiddle] style has long been recognised as a defining characteristic of much of the ornamental metalwork dated to the 9th century .... During the course of the 9th century, and arguably into the 10th, the Trewhiddle style enjoyed unrivalled prominence in the decoration of high-class metalwork and on the evidence of frequent attempts to copy its motifs in cheaper metals, it was a fashion ...
An early Medieval pottery rim sherd from a Shelly ware jar. Late Saxon Shelly ware is a pottery type in widespread use in London from the late ninth through the mid eleventh centuries. The fabric of Late Saxon Shelly ware contains numerous fragments of shell, which on microscopic examination, are seen to be encompassed in a chalky matrix. [6]
England would come under increasing Mediterranean influence, but not before Irish Celtic and Anglo-Saxon art had profitably fused. The first major work that can be called purely Hiberno-Saxon is the Book of Durrow in the late 7th century. There followed a golden age in metalworking, manuscripts and stone sculpture.
Print/export Download as PDF; Printable version; In other projects ... Pages in category "Anglo-Saxon art" The following 77 pages are in this category, out of 77 ...
English medieval pottery was produced in Britain from the sixth to the late fifteenth centuries AD. During the sixth to the eighth centuries, pottery was handmade locally and fired in a bonfire. Common pottery fabrics consisted of clay tempered with sand or shell, or a mix of sand and shell.
Evangelist portrait of Saint John from the 8th century Anglo-Saxon Stockholm Codex Aureus; the roundels above the columns appear to copy hanging bowl escutcheons. Part of the puzzle lies in whether the bowls were normally suspended by threads from a central fulcrum (like a lamp), or from hooks on a tripod with tall wooden legs.