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The painting depicts the moment when the resurrected but incognito Jesus reveals himself to two of his disciples (presumed to be Luke and Cleopas) in the town of Emmaus, only to soon vanish from their sight (Gospel of Luke 24: 30–31). Cleopas wears the scallop shell of a pilgrim. The other apostle wears torn clothes.
Jesus and the two disciples On the Road to Emmaus, by Duccio, 1308–1311, Museo dell'Opera del Duomo, Siena. According to the Gospel of Luke, the road to Emmaus appearance is one of the early post-resurrection appearances of Jesus after his crucifixion and the discovery of the empty tomb.
Viewing the painting from a side angle allows the perspective of the tiled floor and the gaze of the disciples towards Jesus to emphasise his status as the main subject of the painting. On the far left of the painting is Judas Iscariot, clothed in bright red and noticeably isolated from the other figures of the painting. In the middle of the ...
Subjects showing the life of Jesus during his active life as a teacher, before the days of the Passion, were relatively few in medieval art, for a number of reasons. [1] From the Renaissance, and in Protestant art, the number of subjects increased considerably, but cycles in painting became rarer, though they remained common in prints and ...
His face was like the sun shining in all its brilliance" (Revelation 1:12–16, NIV). Use in art of the Revelation description of Jesus has generally been restricted to illustrations of the book itself, and nothing in the scripture confirms the spiritual form's resemblance to the physical form Jesus took in his life on Earth.
Nicodemus Visiting Christ is a painting by Henry Ossawa Tanner, made in Jerusalem in 1899 during the artist's second visit to what was then Palestine. [1] The painting is biblical, featuring Nicodemus talking privately to Christ in the evening, and is an example of Tanner's nocturnal light paintings, in which the world is shown in night light.
The main light source is not evident in the painting but comes from the upper left; the lesser light source is the lantern held by the man at the right (believed to be a self-portrait of Caravaggio; also, presumably, representing St Peter, who would first betray Jesus by denying him, and then go on to bring the light of Christ to the world). At ...
Crucifixions and crucifixes have appeared in the arts and popular culture from before the era of the pagan Roman Empire.The crucifixion of Jesus has been depicted in a wide range of religious art since the 4th century CE, frequently including the appearance of mournful onlookers such as the Virgin Mary, Pontius Pilate, and angels, as well as antisemitic depictions portraying Jews as ...
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