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Moire (/ ˈ m w ɑːr / or / ˈ m ɔːr /), less often moiré, is a textile with a wavy (watered) appearance produced mainly from silk, but also wool, cotton and rayon. The watered appearance is usually created by the finishing technique called calendering.
Moire, or "watered textile", is made by pressing two layers of the textile when wet. The similar but imperfect spacing of the threads creates a characteristic pattern which remains after the fabric dries. In French, the noun moire is in use from the 17th century, for "watered silk".
Both pre-Hispanic and colonial era style textiles are still made in Mexico. In addition, many of the textile factories use machines based on old foot pedal looms from the colonial period. There are basically four types of fibers used for fabric production: [5] Vegetable products such as cotton; Animal products such as wool and silk
Bizarre silks were woven on the drawloom, and the colorful patterns were brocaded or created with floating pattern wefts ().At the height of the fashion, the average repeat of a bizarre silk pattern was 27 inches (69 cm) high and ten inches (26 cm) wide, repeating twice across the width of the fabric. [4]
Mockado is a woollen pile fabric made in imitation of silk velvet. [18] [19] [20] modal Modal is a cellulose fiber made by spinning reconstituted cellulose from beech trees. mohair Mohair is a silk-like fabric made from the hair of the Angora goat. It is durable, light and warm, although some people find it uncomfortably itchy. mungo
Handcrafted Oaxacan textiles employ plainweave, brocade patterns, gauze weave. [6] Much can be said about the technology being used to create these textiles based on the final product when they are complete. In ancient Mexico, waist looms were used to craft the garments. These specific tools would not allow the specific garment being woven to ...
As a result of their smoothness, Inca textiles made of vicuña fiber are described as "silk" by the first Spanish explorers. The finest Inca cloth had a thread count of more than 600 threads per inch, higher than that found in contemporaneous European textiles and not excelled anywhere in the world until the industrial revolution in the 19th ...
Often the only conscious decision made prior to beginning the weaving process is the selection of the colors for the background fabric." [20] Patterns would signify specific ethnic groups and social status but nowadays the patterns are less strict and more creativity filled. For other groups, "local tradition dictates at least the overall ...
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