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Seemann (Deine Heimat ist das Meer)" (English translation "Sailor (Your Home is the Sea)") is a song originally written in German by Werner Scharfenberger and lyricist Fini Busch . A 1959 German-language recording by Lolita became an international hit in 1960–61.
Clark's "Sailor" became the third hit version of the song in the Low Countries reaching #13 in the Netherlands and - in a tandem ranking with "Seemann (Deine Heimat ist das Meer)" by Lolita - #12 on the chart for the Flemish Region of Belgium [16] where the Dutch-language rendering "Zeeman" had already been a Top Ten hit for Caterina Valente ...
In December 1959, she recorded what would become her only gold record, [1] "Seemann, deine Heimat ist das Meer" ("Sailor, Your Home is the Sea"), which was a hit single in the United States, peaking at number five, number one for two weeks in Canada, and in Japan as well as in German-speaking Europe in 1960. [2]
A chord is a line drawn between two points on the circumference of a circle. Look at the centre point of this line. For a circle of radius r, each half will be so the chord will be . The line of chords scale represents each of these values linearly on a scale running from 0 to 60.
G SUS4 355533; The suspended fourth chord is often played inadvertently, or as an adornment, by barring an additional string from a power chord shape (e.g., E5 chord, playing the second fret of the G string with the same finger barring strings A and D); making it an easy and common extension in the context of power chords.
G major is the key stipulated for the royal anthem of Canada, "God Save the King". [4] The anthem " God Defend New Zealand " ("Aotearoa") was originally composed by John Joseph Woods in A-flat major , but after becoming New Zealand's national anthem in 1977, it was rearranged into G major to better suit general and massed singing. [ 5 ]
The blues scale is so named for its use of blue notes. Since blue notes are alternate inflections, strictly speaking there can be no one blues scale, [8] but the scale most commonly called "the blues scale" comprises the minor pentatonic scale and an additional flat 5th scale degree: C E ♭ F G ♭ G B ♭ C. [9] [10] [11]
In the Classical period, symphonies in G minor almost always used four horns, two in G and two in B ♭ alto. [2] Another convention of G minor symphonies observed in Mozart's No. 25 and Mozart's No. 40 was the choice of E-flat major , the subdominant of the relative major B ♭ , for the slow movement, with other examples including Joseph ...