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Oxygen (French: Oxygène) is a 2021 French-language science fiction psychological thriller film produced and directed by Alexandre Aja and written by Christie LeBlanc. An American-French co-production, it stars Mélanie Laurent as a woman who awakens trapped in an airtight medical cryogenic unit, with Mathieu Amalric and Malik Zidi in supporting roles.
After a tipping point catastrophe, Earth is void of plants and global oxygen levels have dropped to 5%. Instead of communicating properly and working together, the survivors create artificial conflict and fight for an "oxygen generator", killing each other and destroying the machine. The survivors move on to the next place with an oxygen generator.
Nick, wearing an emergency oxygen mask, flies the plane through the rip and disappears. Brian awakes and lands the plane at Los Angeles, but the passengers are again met with a deserted airport. Realizing that they are in the near future, the passengers take shelter against a wall to avoid the airport's human traffic and wait for the present to ...
Dark Encounter is the second feature film from director Carl Strathie, who shot the science fiction thriller Solis in 2018. Cinematographer Bart Sienkiewicz, editor Chris Timson and composer David Stone Hamilton worked for both films.
Vanishing on 7th Street is based on a screenplay by Anthony Jaswinski [3] and is produced from Herrick Entertainment. [4] The film is the eighth from director Brad Anderson [5] and features Hayden Christensen, Thandiwe Newton and John Leguizamo in the lead roles. [5]
Anyway, the point is that these delightful movies, which focus on now-13-year-old Riley and the glittery emotion pu I Have a Theory About Riley’s Deep Dark Secret in ‘Inside Out 2’—and It ...
A project is underway to investigate the production of “dark” oxygen further. Understanding the phenomenon better could help space scientists find life beyond Earth ... it would eventually ...
The review aggregator website Rotten Tomatoes, reported an approval rating of 33% based on 27 reviews, with an average of 5/10. The website's critical consensus reads, " IO has some big ideas but little idea of how to effectively convey them, leaving viewers with a sci-fi drama whose attractive packaging can't cover its enervating core."