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One of the earliest list of woodcuts by Dürer was assembled in 1808 by Adam Bartsch in his "Le Peintre Graveur" volume 7 [1] and in the appendix. In 1862 Johann David Passavant expanded "Le Peintre Graveur" [2] adding additional woodcuts. Bartsch and Passavant works, which were organized alphabetically, are the source of "B." and "P." numbers ...
At the end of the war he became a member of the Arbeitsrat für Kunst in Berlin, which was an anti-academic, socialist movement of German artists during the German Revolution of 1918–19. Schmidt-Rottluff’s angular, contrasting style became more colorful and looser in the early 1920s, and by the mid-1920s he began to evolve into flat shapes ...
Scherer became seriously ill in autumn 1926 and died in Basel 13 May 1927. The artist was commemorated that year by an exhibition at the Kunsthalle Basel, which displayed over 200 of his works. The Dreiländermuseum in Lörrach holds 118 of Scherer’s works, including many woodcuts and the "Portrait of Otto Staiger". [4]
The Four Horsemen c. 1496–98 by Albrecht Dürer, depicting the Four Horsemen of the Apocalypse. Woodcut is a relief printing technique in printmaking.An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts.
Gustave Baumann (June 27, 1881 – October 8, 1971) was an American printmaker and painter, and one of the leading figures of the color woodcut revival in America. [1] His works have been shown at the New York Metropolitan Museum of Art, The Cleveland Museum of Art, the National Gallery of Art in Washington DC, and the New Mexico Museum of Art. [2]
Käthe Kollwitz (German pronunciation: [kɛːtə kɔlvɪt͡s] born as Schmidt; 8 July 1867 – 22 April 1945) [3] was a German artist who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture.
woodcut 1927 5 5/16” x 3 11/16” W: Lindy: woodcut 1927 7” x 5” W: Livery Stable (aka Old Livery Stable, The Star Livery) woodcut 1925 4” x 6” B W: Lone Elm: woodcut 1925 4” x 3 ½” B W: Lonely Farmhouse: woodcut 1934 8” x 8” B: Lonely Tree: woodcut c. 1925 2 ½” x 3” W: Lost Hope: woodcut 1927 9” x 7” W M (McCormick ...
Direct-to-video or straight-to-video refers to the release of a film, television series, short or special to the public immediately on home video formats rather than an initial theatrical release [1] or television premiere. This distribution strategy was prevalent before streaming platforms came to dominate the TV and movie distribution markets.