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Plaque at Louis MacNeice's childhood home in Carrickfergus "Carrickfergus" is a 44-line poem by Louis MacNeice. It was written in 1937 and first published in book form in MacNeice's poetry collection The Earth Compels (1938). The poem reflects on MacNeice's childhood in Carrickfergus, a large town in County Antrim, Northern Ireland. Although ...
Although many newspaper articles and a few books appeared about the "Auden Group", the existence of the group was essentially a journalistic myth, a convenient label for poets and novelists who were approximately the same age, who had been educated at Oxford and Cambridge, who had known each other at different times and had more or less left-wing views ranging from MacNeice's political ...
Louis MacNeice's archive was established at the Harry Ransom Center at the University of Texas at Austin in 1964, a year after MacNeice's death. The collection, largely coming from MacNeice's sister Elizabeth Nicholson, includes manuscripts of poetic and dramatic works, a large number of books, correspondence, and books from MacNeice's library.
The Sunlight on the Garden is a 24-line poem by Louis MacNeice. It was written in late 1936 and was entitled Song at its first appearance in print, in The Listener magazine, January 1937. [ 1 ] It was first published in book form as the third poem in MacNeice's poetry collection The Earth Compels (1938).
The British Museum Reading Room is the subject of an eponymous poem, "The British Museum Reading Room", by Louis MacNeice. Much of the action of David Lodge's 1965 novel The British Museum Is Falling Down takes place in the old Reading Room. The 'Glass Ceiling' of Anabel Donald's 1994 novel is the ceiling of the Reading Room, where the ...
Auden's contributions include the poem "Journey to Iceland"; a prose section "For Tourists"; a five-part verse "Letter to Lord Byron"; a selection of writings on Iceland by other authors, "Sheaves from Sagaland"; a prose letter to "E. M. Auden" (E. M. was Erika Mann), which included his poems "Detective Story" and "O who can ever praise enough ...
In the autumn of 1953, MacNeice began work on a further discursive autobiographical work as a commentary on the time. Its continuity of theme with Autumn Journal was announced in the title given the book when it was published by Faber at the end of the following year - Autumn Sequel: A Rhetorical Poem in XXVI Cantos.
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