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Okwui Enwezor // ⓘ (23 October 1963 – 15 March 2019) [1] was a Nigerian curator, art critic, writer, poet, and educator, specializing in art history. He lived in New York City [ 2 ] and Munich. In 2014, he was ranked 24 in the ArtReview list of the 100 most powerful people of the art world.
A Georges Adéagbo, Ravi Agarwal, Eija-Liisa Ahtila, Chantal Akerman, Gaston André Ancelovici (Colectivo Cine-Ojo), Fareed Armaly, Rashid Masharawi, Michael Ashkin, Asymptote Architecture, Kutlug Ataman, The Atlas Group, Walid Raad
He was one of the curators of [5] (Kassel, 2002), as part of the group directed by Okwui Enwezor. He was also one of the curators of the first and second [ 6 ] (1995 and 1997. The large list of exhibitions he has curated include [ 7 ] In/Sight, African Photographers 1940 to the Present (Guggenheim Museum, New York, 1997, and Versiones del Sur ...
[1] Okwui Enwezor served as the 56th Biennale's curator, its first from Africa. [1] His theme was "All The World's Futures". Enwezor created the Arena, an interdisciplinary space for live performance in Giardini's Central Pavilion. The Arena's main performance was a live reading of Das Kapital .
[5] While at art school, Geers met fellow artist Neil Goedhals , and they formed the performance art group KOOS with Marcel van Heerden , Gys de Villiers , Megan Kruskal , and Velile Nxazonke . KOOS sang post-punk / industrial music ballads based on Afrikaans protest poetry by poets like Ryk Hattingh and Christopher van Wyk . [ 6 ]
The Indiana Fever matched their win total from last season Sunday, and they have 12 games remaining. Indiana (13-15) are seventh in the WNBA standings after their 92-75 victory over the Seattle Storm.
Clark poured in a career-high 35 points during the Fever's 110-109 win against the Dallas Wings, and she currently has 761 points on the season. Here's what you need to know about the WNBA star's ...
Archive Fever: A Freudian Impression (French: Mal d'Archive: Une Impression Freudienne) is a book by the French philosopher Jacques Derrida. It was first published in 1995 by Éditions Galilée , based on a lecture Derrida gave at a conference, Memory: The Question of the Archives, organised by the Freud Museum in 1994.