Search results
Results from the WOW.Com Content Network
Title page of the first edition of the score, Vienna 1799. The three String Trios, Op. 9 were composed by Ludwig van Beethoven in 1797–98. He published them in Vienna in 1799, with a dedication to his patron Count Johann Georg von Browne (1767–1827). [1]
spirito Spirit, con spirito: with spirit, with feeling spiritoso Spirited staccato Making each note brief and detached; the opposite of legato. In musical notation, a small dot under or over the head of the note indicates that it is to be articulated as staccato. stanza A verse of a song stem Vertical line that is directly connected to the ...
Con sordino: with sourdine (mute) With mute applied, esp. to string instruments: Senza sordino: without sourdine (mute) With mute removed Spiccato: separated, distinct; standing out: With a stringed instrument, played by bouncing the bow lightly on the strings Staccato: detached
The exposition, marked Allegro di molto con brio, is in 2 2 time in the home key of C minor and features three themes. Theme 1 features an aggressive rocket theme covering two octaves, accompanied with constant tremolo octaves in the left hand.
Movement 1 - Allegro con brio. While the movement initially sounds like ritornello form, it is actually in sonata form. Exposition: 1st Subject - bars 1-20 2nd Subject - bars 33-67. Development: The development section occurs between bars 68 to 128. Recapitulation: Both subjects are heard again, now both based in A. Coda; bars 194-232
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
Presto • Poco più mosso del • Tempo I; Andante; Allegro con brio • Poco meno mosso • Tempo I • Poco meno mosso • Allegro con brio; The work is highly classical in design as it opens with a sonata movement which is followed by a scherzo, a slow movement, and a finale. The violin part is replete with virtuosic display but is also ...
Finale: Allegro con spirito Haydn's choice of D major for this quartet, with the second movement in D minor, optimises the use of open strings and allows for the work to be the loudest and most grandiose of the set.