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Jazz bass is the use of the double bass or electric bass guitar to improvise accompaniment ("comping") basslines and solos in a jazz or jazz fusion style. Players began using the double bass in jazz in the 1890s to supply the low-pitched walking basslines that outlined the chord progressions of the songs .
Concerto No. 2 for Double Bass and Orchestra "Afroargentino", Op. 125 (2015) Concerto No. 3 for Double Bass and Orchestra "Porteño", Op. 129 (2016) Francine Aubin Concert pour Ariane (1988) Judith Bailey. Double Bass Concerto in the Style of Haydn (2008) (2017) Ragnhild Berstad. Origo (1989-91) for Solo Double Bass and String Quartet; Anatoly ...
This list of double bassists in popular music includes double bass performers from a range of genres, including rockabilly, psychobilly, country, blues, folk, bluegrass, and other styles. In these styles, the instrument is often referred to as an upright bass or a standup bass.
The bass (or F) clef is used for most double bass music. The lowest note of a double bass is an E 1 (on standard four-string basses) at approximately 41 Hz or a C 1 (≈33 Hz), or sometimes B 0 (≈31 Hz), when five strings are used.
Double Bass Concerto No. 2 has become one of the most performed works for double bass, dated to 1845 but would not be published until 1925. [2] The composer, having learned bass out of convenience, was heavily inspired by Italian operas and wrote six of his own.
A double bass concerto is a notated musical composition, usually in three parts or movements (see concerto), for a solo double bass accompanied by an orchestra.Bass concertos typically require an advanced level of technique, as they often use very high-register passages, harmonics, challenging scale and arpeggio lines and difficult bowing techniques.
Classical double bass players are performers who play the double bass, the largest and lowest-pitched commonly played bowed string instrument. They perform European art music ranging from Baroque suites and Mozart -era Classical pieces to contemporary and avant-garde works in a variety of settings, ranging from large symphony orchestras to ...
Theraps begins and ends with repeated descending glissandi that are loud, grinding, and brief. [13] ( The opening passage is marked "crushing the string." [3]) The body of the piece consists of three types of music: single-note glissandi based on random walks; double-stop glissandi that often move in contrary motion; and slowly-changing double-stop natural harmonics. [14]
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