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Jean Ignace Isidore Gérard (French pronunciation: [ʒɑ̃ iɲas izidɔʁ ʒeʁaʁ]; 13 September 1803 – 17 March 1847) was a prolific French illustrator and caricaturist who published under the pseudonym of Grandville ([ɡʁɑ̃vil] ⓘ), and numerous variations (e. g. Jean-Jacques Grandville, Jean Ignace Isidore Grandville) throughout his career.
This is a list of women artists who were born in France or whose artworks are closely associated with that country. This is a dynamic list and may never be able to satisfy particular standards for completeness.
This is a non-diffusing subcategory of Category:19th-century French painters. It includes French painters that can also be found in the parent category, or in diffusing subcategories of the parent. Contents
Comte Henri Marie Raymond de Toulouse-Lautrec-Monfa (24 November 1864 – 9 September 1901), known as Toulouse-Lautrec (French: [tuluz lotʁɛk]), was a French painter, printmaker, draughtsman, caricaturist, and illustrator whose immersion in the colourful and theatrical life of Paris in the late 19th century allowed him to produce a collection of enticing, elegant, and provocative images of ...
One of the loveliest of these is “Raspberry,” a portrait of a waif-like young woman that is owned by the Columbus Museum of Art. Marie Laurencin's "Raspberry" oil on canvas painting.
Courbet first exhibited the work at the Paris Salon in April 1852 entitled The Village Maids give alms to a cowherd in a valley near Ornans.It was immediately bought by the duc de Morny despite a public and press polemic against the work – for example, the art critic Théophile Gautier expressesd reservations and felt the canvas was under-finished, [4] whilst Gustave Planche, Eugène Loudun ...
The Bar (painting) A Bar at the Folies-Bergère; The Bathers (Renoir) Bathers with a Turtle; The Bathers (Cézanne) Beatrice Hastings in Front of a Door; The Beauty; Beijing 2008 (painting) The Beloved (Rossetti) Berlin Street Scene; Bertha Wegmann Painting a Portrait; Bharat Mata (painting) The Black Brunswicker; Black Woman with Child
Furthermore, art historian Anne Higonnet argued in 2011 that the work is a self-portrait. [6] Villers exhibited Study of a young woman sitting on a window and two other works at the Salon of 1801, followed at the Salon of 1802 by a genre painting entitled A child in its cradle and A Study of a Woman from Nature. [7]
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