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Anasuya Sengupta gained widespread recognition for her performance in The Shameless (2024). In addition to her work in film, she has been actively involved in theatre and production design, having started her career with Madly Bangalee, directed by Anjan Dutt and worked as a director's assistant to Claire McCarthy for The Waiting City that same year.
Sengupta was born in 1974 to her father, Abhijit Sengupta, a senior Indian administrative officer, and her mother, Poile Sengupta (née Ambica Gopalakrishnan), an actress, author of children's literature, and playwright. [3] She spent the majority of her childhood in North Karnataka, a region of southern India. [citation needed]
He considered making an animated film due to difficulties obtaining financial support. He later abandoned that idea, but met Anasuya Sengupta, a character visualizer and production designer, and cast her to play the lead role. [3] It took over eight months for the two lead roles to be cast. [4]
Dinata's Ca-bau-kan was Indonesia's submission for the 75th Academy Awards and her Love for Share was the official Indonesian submission to the 79th Academy Awards. [6] [7] Nugroho's Leaf on a Pillow was the country's submission for the 71st Academy Awards and his Memories of My Body was the official submission for the 92nd Academy Awards.
The Cinema of India pavilion has garnered recognition at the Cannes Film Festival since its inception in 1946. [1] [2] The 1946 social-realistic film Neecha Nagar became the first Indian film to gain recognition at the Cannes, after it was awarded Grand Prix du Festival International du Film, the festival's highest prize, at the first Cannes.
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A Thousand Days' Promise (Korean: 천일의 약속; RR: Cheonileu yaksok) is a 2011 South Korean traditional melodrama about a woman who is losing her memory and the loving man (Kim Rae-won) who stands by her side.
Cannes 2024 was a life-changing journey for Indian production designer-turned actor Anasuya Sengupta who won best actress at the festival’s Un Certain Regard strand for “The Shameless.”