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Visayan pop, better known as Vispop (not to be confused with the Scandinavian musical genre), is short for Visayan popular music.Despite its name, it usually refers to popular music in the Cebuano language; pop music sung in other Visayan languages is known by other terms.
Karaoke Joysound (カラオケJOYSOUND) is a karaoke service and online song library from Japanese karaoke service provider Xing. The Joysound service, which started on various karaoke computers, was adapted into a video game by Hudson Soft for Wii, licensing the Joysound online song library alongside Xing, who also helped co-develop the game with Hudson.
Google Play Music: 2011 15000 Trial-ware: 50,000 General United States: Jamendo: 2005 400000 Free — General Luxembourg: Live Music Archive: 1996 170000 Free — General United States: Musopen: 2005 — Free — Classical music: United States: Noise Trade: 2008 — Free 1.3000000 General United States: SoundCloud: 2007 125000000 Free 40000000 ...
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Budots is a Bisaya slang word for slacker (Tagalog: tambay). [1] An undergraduate thesis published in University of the Philippines Mindanao suggests the slang originated from the Bisaya word burot meaning "to inflate," a euphemism to the glue-sniffing juvenile delinquents called "rugby boys."
Susan Fuentes (Tagalog pronunciation: [ˈfwɛntɛs]; 1 November 1954 – 7 September 2013) was a Filipino singer known as the "Queen of Visayan Songs". [1] She recorded and popularized Visayan classics such as Matud Nila (They Say in English; Sabi Nila in Filipino), Gimingaw Ako (I Feel Lonesome), Usahay (Sometimes in English; Minsan in Filipino), Rosas Pandan and Miss Kita Kung Christmas.
Visayan Pop Songwriting Campaign, also known as Vispop or Visayan Pop Music Festival, is a Cebuano national songwriting campaign and competition for pop music compositions launched in Cebu City, Philippines on 2012. The competition is under the auspice of Artists and Musicians Marketing Cooperative (Artist Ko).
Villame was the first to brand his music as "novelty" to distinguish himself from his contemporaries, who tried hard to sound like Perry Como or Frank Sinatra. It was the beginning of a long list of albums and recordings of his politically inspired songs in Bisaya, Tagalog and English.